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An Interview with Author Lisa Page

Retired physical therapist Lisa Page crafts stories using her love for the natural world and her passion for the magical and the everyday sacred. Her debut novel, Saving Cottonwood (June 2025), “is a heartfelt, genre-blurring tale of love, loss, and quiet awakening. With elements of magical realism, mystery, and environmental soul, it invites readers to believe in the power of place, the pull of destiny, and the fierce, hidden magic in everyday lives.” Look for Lisa on her website LisaPageAuthor.com, on Goodreads and Instagram, and her Amazon author page. Besides Amazon, Saving Cottonwood is available at Page 1 Books and Organic Books in Albuquerque, New Mexico.


What would you like readers to know about the story you tell in Saving Cottonwood?
When I first sat down to write, I didn’t know much about publishing genres beyond the basics. Later, I stumbled across “cozy mystery,” and then, believe it or not, “cozy, paranormal, mystery, romance.”  That’s where Saving Cottonwood landed, though I think of it more as my love letter to magic, community, and resilience. More than genre, I want readers to know that this is an optimistic story about the power of ordinary people to face the forces of wealth, politics, and destruction, and protect what matters most.

What was the greatest challenge or obstacle to completing this work?
This was my first novel, so every stage was a mountain — writing, revising, self-publishing, and then (deep breath) marketing. But the real summit wasn’t the mechanics, it was keeping the faith even when I felt doubt. Learning to keep going page after page was the hardest and most essential part.

Who are your main characters? Your favorite secondary characters? How did you go about creating/developing them and working out their relationships?
At the heart of the story is Iris, a middle school librarian in her thirties, newly divorced and trying to rebuild her life. By locking herself out of her house, she meets Ezra, a locksmith with a gift for practical magic, and their chance encounter changes everything. Then there’s Xena, a stray cat with a secret identity: a bodhisattva disguised in a long black coat, tasked with guiding Iris toward her purpose. And Annabelle, a brave 11-year-old who is fiercely protective of the forest and all that is vulnerable. She becomes Iris’s moral compass. I see parts of myself in all my characters, but I can’t say I created them. It feels like they were already there and just waiting for me to tell their stories.

What makes New Mexico the perfect setting for the book? Did you model the town of Cottonwood after a particular location?
The fictional town of Cottonwood will feel very familiar to anyone who knows Albuquerque, especially the North Valley acequias, and the bosque along the Rio Grande. The land, the river, and the cottonwoods verge into being characters in their own right, carrying the bosque’s history, magic, and life pulse. I think it is a perfect setting because it’s a place worth preserving.

Tell us more about Saving Cottonwood and how it came together.
The seed for Saving Cottonwood was planted in 2019, when I was moving out of a beloved historic home I’d lived in after my divorce. I left the new owners a whimsical letter about feeding the hummingbirds, caring for the trees, and honoring the spirit of the place—along with a vase of daffodils.

Later, I thought: what if a story began this way, with someone moving in and discovering such a letter? That idea wouldn’t let me go. After I retired in 2023, I began writing. The first draft poured out in about three months. Then came months of layering and revising. I gathered feedback from friends, took long breaks to be able to return to the manuscript with fresh eyes, and then did two or three more rounds of edits. I didn’t realize how hard it would be to decide when it was actually done. Eventually, I took a leap and sent the story out into the world.

What was the most difficult aspect of world building for this book?
The “world” was my own everyday landscape, so the challenge wasn’t building it, but trying to portray it as accurately as possible. And when the bosque whispered about faeries, crows with messages, and a talking cat, luckily, I was there to take notes.

What was your favorite part of putting this project together?
The surprises.  The moments when the story took the reins, when the characters knew more than I did, when the river wanted to speak, when the plot unfolded in ways I didn’t see coming. In those moments, I discovered the enchantment and magic inside the writing process.

Do you have a theme or a message in the book? If so, was it intentional going into the project or did you discover it as the story unfolded?
Intentionally, going into the project, I imagined a benevolent universe where help appears when we ask for it, and that it takes many forms, seen and unseen. It may come in the form of people, or synchronicities, or from the realm of the ancestors. And if we are very lucky, sometimes it comes from those with fur or feathers or faery wings.

When did you know you wanted to be a writer, and when did you actually consider yourself one?
Ahh! I wanted to be a writer from a young age, probably from around middle school. I turned 60 this year, and I think maybe I am a writer now? But the label author still feels new and strange, like a fancy outfit that doesn’t quite feel like me yet.

What advice do you have for beginning or discouraged writers?
Creative work is vulnerable. It stirs up the inner critic. For me, meditation, emotional self-regulation strategies, and kindness toward myself have been the strongest anchors. Finding friends on the writing path can be an invaluable support. I got a lot out of some of the UNM continuing education classes on writing fiction.

If you can make a habit of writing despite the mean and doubtful voices that arise, a muse will find you, and that relationship will carry you through and nourish both your own soul and the world. It’s so worth it!


KLWagoner150_2KL Wagoner loves creating worlds of fantasy and science fiction. Her current work in progress is The Last Bonekeeper fantasy trilogy and short stories in the same universe. A member of SouthWest Writers since 2006, Kat has worked as the organization’s secretary, newsletter editor, website manager, and author interview coordinator. Kat is also a veteran, a martial art student, and a grandmother. Visit her at klwagoner.com.




An Interview with Author Cornelia Allen

Cornelia Allen was raised in rural New Mexico and became a woman of many talents and adventures from time spent in various occupations including farm fieldworker, national park ranger, biology teacher, medical practitioner, and eventually the Dean of Education at two colleges. She is now an author who loves writing about characters inspired by the interesting people she has met in her journeys. Cornelia’s debut release, Then Came July (The Rick Mora Novels Book 1, August 2023), is an action-adventure romance set in The Land of Enchantment. Look for Cornelia on Facebook and her Amazon author page.


What is your elevator pitch for Then Came July?
When her clinic is firebombed, the severely injured young doctor clashes culturally, philosophically, even physically with the hard-nosed investigator. But as they begin to see themselves through each other’s eyes, they learn what real love means.

What makes this novel unique in the romantic action/adventure/suspense market?
These are real people, very successful, conflicted and wounded, with a dark side in his case, but strong enough to change, to take the opportunity when offered. Shakespeare said that there is a tide in the affairs of man that when taken at the flood leads to victory. My characters grab that flood tide.

Tell us how the book came together.
I always had heroes. From Horatio Hornblower of fiction to our own Elfego Baca. But I have been feeling a lack of real, relatable heroic characters in current fiction. Not superheroes, but those who struggle to reach some shining star. Hence, my Enrique (Rick) and July. They strive and fail and try again. I wanted a book cover that showed their conflicting views, but with some give to it. I was incapable of pulling that off, so I hired an illustrator from Outskirts Press, and liked their idea. I used an editor who ran through the book twice, but I did most of it for lack of funds. Initially, I thought that traditional publishing would not work for me because I had been very ill, and did not expect to live long enough to see the book hit the shelves. But I have zero interest in marketing, so self-publishing doesn’t work either. Damn! I’m stuck! Ah, well!

Who are your main protagonists? Did they surprise you as you wrote their story?
Rick and July came to me. I didn’t have to seek them. Like with other friends, I learned more about them over time. And there is still more to learn. I sort of point them in a direction, and they run with it. The one thing that remains steady with them now is that they have each other and their joint family. They will do anything to maintain the relationship. Not that they don’t fight with each other, get exasperated, misunderstand each other. They do, but it never changes their love for each other.

What is the main setting for the book, and how does it impact the story?
I am a New Mexican. My stories are set in the deserts and mountains, the cities and countryside that I know. Urban or wilderness, they are a part of the story. The very first scene is of July impatiently waiting at a stoplight on Lohman in Las Cruces, New Mexico, and daydreaming about getting her toes into some cool water at Dripping Springs in the Organ Mountains just east of town.

Is there a scene in Then Came July that you’d love to see play out in a movie?
There are many! One in particular is just after Rick and July, hesitatingly reaching a new and unexpected relationship, have had a major fight and are struggling with a new level of understanding. They are sitting in the dirt of a little road in a meadow, watching the night coming on, and there is a coyote family nearby watching also, watching them in silence. It is poignant because Rick is sometimes called the coyote cop, in recognition of his prowess as a hunter of the bad guys. And it fits because he is also a silent observer, a woodsman in his natural environment, and it relates to a life-changing incident when he was a child. This scene touches my soul. The two coyotes in spiritual harmony, so to speak.

What was your favorite part of putting this project together?
How I would wake up with some new knowledge of what July and Rick were doing that day. I laughed a lot.

According to Amazon, this is a second edition of Then Came July. What changes did you make to the original book? Also, Then Came July looks like it’s the first of a series. Do you plan second editions of these books as well?
I did not, initially, write for the market, just for my own and my family’s entertainment. So, I tried out different endings. There really have never been first editions, only potential editions sent to friends via Kindle. I think of those as drafts, and had no idea that Amazon would not let me remove them.

In my very diverse family, there are cowboys and farmers, lawyers and various medical folks, military and preachers, scientists and engineers. In one way or another, they have all contributed to the characters and their stories. All I have to do is listen, and imagine.

What inspired you to become a writer?
Spring of 2024, I decided to become a writer, not just a storyteller for friends and family. I realized that I had a chance when an award-winning screenwriter, who has a new movie coming out this Fall, offered to write (in his spare time) a TV pilot based on Then Came July. I am collaborating, and it is lots of fun.

It appears you began your writing/publishing career later in life. What has your mature self brought to the writing table that your younger self never could have?
Patience with myself. I have the attention span of a gnat, so focus is a lifelong challenge.

What’s the best encouragement or advice you’ve received in your writing journey?
Michael McGarrity and Craig Johnson both said, in one way or another, to keep on trying. Standard advice to the admiring masses, I suppose. Nevertheless, I took it to heart.

What writing projects are you working on now?
A YA coming of age story that incorporates some of my own adventures growing up in the mountains of New Mexico in the 40s and 50s. For a few years, I taught college freshmen, and it was a revelation to me how little they knew, and a revelation to them that we ancients were not quite as backwards as they thought. I loved that job and made some good friends. One youngster’s great-grandfather had been a lieutenant in Pancho Villa’s Army. My dad rode as a hunter with Pershing’s troops, chasing Villa’s Army into Mexico. We bonded over the differences. Oh, wait! I think I may hear a manuscript approaching!

Is there anything else you’d like readers to know?
Age really is not so much a barrier as it is an opportunity. I am only 80. There is still much to do.


KLWagoner150_2KL Wagoner loves creating worlds of fantasy and science fiction. Her current work in progress is The Last Bonekeeper fantasy trilogy and short stories in the same universe. A member of SouthWest Writers since 2006, Kat has worked as the organization’s secretary, newsletter editor, website manager, and author interview coordinator. Kat is also a veteran, a martial art student, and a grandmother. Visit her at klwagoner.com.




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