Holly Harrison is a retired university research scientist who writes mystery novels inspired by the enchanting land of her adopted home state of New Mexico. In her newest release, Death in the Land of Enchantment (Koehler Books, April 2025), she brings returning characters from her debut novel into a complex tapestry of plot and mystery set in northern New Mexico. You’ll find Holly on her website at HollyHarrisonWriter.com, on Instagram, and her Amazon author page. Death in the Land of Enchantment is also available at Barnes & Noble and Bookshop. For more about her writing, see her 2021 interview for SouthWest Writers.
What would you like readers to know about the story you tell in Death in the Land of Enchantment?
Mysteries usually involve solving a crime but in this book there are several — murder, money laundering, a missing woman and stolen ancestral Native American pottery. The characters, including the protagonist Louise Sanchez, are in flux. Each one is trying to figure out what’s next in his or her life.
What unique challenges did this work pose for you?
There were many challenges with both the writing and publishing of this book. After I completed a draft, I changed the protagonist to Louise Sanchez and made Pascal Ruiz a secondary character. Then I had weave Ruiz back into the story. That move involved a major rewrite. Next, I decided the book lacked something special about New Mexico so I added a sidebar about the Crypto Jews and conversos who were forced to immigrate to New Mexico from sixteenth century Spain. Another challenge, with so many characters, was keeping the point of view straight. Finally, when the book was written and edited, I queried my heart out to secure a publisher. I didn’t feel competent, or have the time, for self-publishing, so I researched hybrid publishers and found a reputable one.
In your first book, Rites & Wrongs, the story takes place mostly south of Santa Fe. What New Mexico settings do you explore in this second book in the series?
I think of New Mexico as one of the characters in my books. I like to share the rich heritage of the state (landscape, culture and people) and reveal some hidden facts. Although the murder and most of the crime solving takes place in and around Santa Fe, I take the readers to other places such as Tesuque, Mora, Abiquiu, Ghost Ranch and Albuquerque. I find that New Mexico affords a rich multicultural landscape to cultivate both the characters and story.
Tell us about your new and returning characters and which point of view you enjoyed writing the most.
The major characters from Rites & Wrongs return in the Death book — Louise Sanchez, Pascal Ruiz and his girlfriend Gillian, Rupert Montoya and the captain. But in this book, I enjoyed making Louise Sanchez the main character and found it rewarding to write from a woman’s point of view. Sanchez, after thirty years on the force, is ready to retire and focus on her photography when she is asked to temporarily fill in the detective position. Louise is single, overweight, out of shape and drinks too much. Gillian helps Louise get back in shape and focus on her photography career. Although Sanchez is not prepared for crime solving, she gets the job done with the help of Rupert Montoya, the computer geek from Rites & Wrongs. Ruiz, on leave awaiting trial, passes along information to help Louise with the case while looking for his father’s missing lady friend. I brought in three new characters, all women, who knew the victim and initially are suspects in the murder.
At what point did you realize you needed more than one book to continue Pascal Ruiz’s story? Had you always planned a follow-up to Rites & Wrongs?
I was told when writing mysteries, publishers prefer a series of at least three books. So, from the beginning I knew Pascal Ruiz would be part of a continuing story. Pascal and Gillian met in my first novel, Ghost Notes (unpublished), about a stolen Stradivarius violin. When I wrote Rites & Wrongs, I knew I wanted to explore their relationship. Many of my readers wanted to know what happened to Pascal after his debacle in Rites & Wrongs. In the Death book, although Louise is the protagonist, Pascal still has a presence in the story. In my next novel, The Jumping Waters (working title), Louise and Pascal are no longer with the police force. They find themselves in Taos at the D. H. Lawrence Ranch during the global pandemic and team up to solve a 1929 cold case.
How did Death in the Land of Enchantment come together?
This book was a labor of love. It took five years from concept to published novel. The idea came from an article on money laundering that tweaked my interest. Although I was familiar with the term, I had to do a lot of research to better understand the process. I often write and research simultaneously. Once I decided on the storyline, I worked for three years — writing, editing, and rewriting. Then another year was consumed querying agents and publishers unsuccessfully. Finally, I submitted the manuscript to a hybrid publisher. When it was accepted, I spent another year working with the publisher’s editor and designer and planning my marketing strategy. An artist friend created the map for the book and the publisher ended up adapting it for the cover.
What was your favorite part of this project?
I enjoyed creating the new ancillary characters as well as the side bars for this story. Typically, research is my favorite part of writing. I go down that rabbit hole and wallow around in the warren. I’m not good at reining myself in but research is important. You want your readers to trust that you have done your work and are painting a realistic picture.
What are the challenges of writing a series?
I think the biggest challenge for writing a series is the timeline, especially if you are not a plotter. You have to figure out where the characters are in their life when the next book begins and where they are going.
Share what a typical writing session looks like for you. Do you have any writing rituals or something you absolutely need in order to write?
I am a caregiver so my writing time is constrained and often my sessions disrupted — never typical. I write when I can. Some days I squeeze out a page or two, other days more. I’m a pantser (fly by the seat of my pants), not a plotter. I don’t use an outline or chapter summaries. I have a loose idea where the story is going but let it develop organically. No writing rituals, no music, just sit on the couch with my lap top.
What writing projects are you working on now?
I just finished my next mystery/crime novel, The Jumping Waters (working title). It takes place in Taos, New Mexico during two momentous time periods — the 2020 Pandemic and the summer of 1929, during Mabel Dodge Luhan’s reign as the doyenne of Taos. During the Pandemic, Louise Sanchez and Pascal Ruiz (both no longer with the Santa Fe Police Force) find themselves at the D. H. Lawrence ranch in Taos. They get involved in a 1929 cold case of a missing journalist.
Anything else you’d like readers to know?
Death in the Land of Enchantment received a review in the Albuquerque Journal on Sunday, August 3, 2025. Check it out (but watch out for spoiler alerts). Thank you to David Steinberg for his insights.
KL Wagoner loves creating worlds of fantasy and science fiction. Her current work in progress is The Last Bonekeeper fantasy trilogy and short stories in the same universe. A member of SouthWest Writers since 2006, Kat has worked as the organization’s secretary, newsletter editor, website manager, and author interview coordinator. Kat is also a veteran, a martial art student, and a grandmother. Visit her at klwagoner.com.




Christina Sultan is a former Albuquerque and Santa Fe, New Mexico resident who joined SouthWest Writers in 2022. A graduate of the English literature program at McGill University, Montreal, she has been an avid reader and writer of literary criticism all her life. She interned as a journalist at United Press International before working at the Whistler Question Newspaper and Whistler Magazine. She then went on to obtain a master’s degree in business in California. She was named to Who’s Who U.S.A. in 2007 and devotes much of her time to working in the arts, investments, and the humanities.
