Author and artist Bryan James Beck has always believed that storytelling has the power to transform lives, and as a storyteller the genres he loves to write are as varied as his reading interests. To that end, he published five novels in a five-month period from late 2025 to early 2026. His debut, A Debt in Time (September 2025), is book one in the time travel Ancestral Debt Anthology, with A Debt Remembered (October 2025) and A Debt Returned (February 2026) making up books two and three, respectively, in the ongoing series. He also managed to release the murder mystery Blood & Wine (Michael Flaherty Noir, Book 1) in November 2025 plus a secret novel in January 2026 written under a pen name. Look for Bryan on Facebook and his Amazon author store.
How did you manage to publish five books in less than six months?
To be fully transparent, I’m diagnosed as AuDHD, and I experience intense periods of hyperfocus. When I lock into a story, I am fully absorbed in it until it’s finished. Even while working a full-time 9–5 job as a bank manager, I’ve been putting an additional 40–80 hours a week into writing, editing, and marketing.
I’m also a perfectionist, and I hold myself to a very high standard. While some of these books were written quickly—sometimes in as little as a week—I spent anywhere from a month to several months editing each one. By the time I published my debut novel, I already had several strong rough manuscripts completed. I simply chose the one I felt was strongest to lead with, which made the publishing schedule much more manageable.
What would you like readers to know about the story you tell in the Ancestral Debt Anthology?
At its core, the anthology is an emotional story about family legacy and learning to believe in oneself. It isn’t afraid to explore deeper emotional truths about life—and the thin line that separates life from death. It’s about the cost of time travel, and how one family’s destiny is intertwined with a mysterious chest that passes from generation to generation. It also explores the debts and karma we inherit from our ancestors, alongside the treasures they leave behind.
Family legacy is woven throughout the series, and while these are the first three books, they represent only the beginning. Each novel follows a different character’s journey through time, and there are many more stories still to come.
Who are the main characters, and why will readers connect to them? Is there one point of view you enjoyed writing more than another?
The first book, A Debt in Time, follows James Manning, a capable but brokenhearted young man who inherits the ancestral debt after his great-grandfather’s death—along with a strange, magical chest. At the beginning, James doesn’t believe in himself, but through his travels, he learns that he’s far more capable than he ever imagined. He also discovers that he’s more worthy of love than his ex-girlfriend led him to believe.
The second book, A Debt Remembered, follows Robert Gagne, James’s great-grandfather. Robert survives his journey through time using a different kind of strength. He relies on wit, intelligence, and sheer determination. He isn’t a fighter like James; he values love and knowledge above all else. His heart aches across centuries, and ultimately, he realizes that the love he truly wants is the one he left behind.
A Debt Returned, the third book, follows both Ivy Manning and Lucien Vireon. Ivy is James’s great-granddaughter, and the inheritor of his chest after him. Lucien is a distant cousin who believes he is entitled to the chest and its power. Ivy is a young girl who ends up taking the most difficult path yet, becoming much more than she ever thought she could be.
My favorite POV has been Ivy, although I enjoyed all of them thoroughly. Even Lucien was fun to write.
What themes do you explore in the series? Are they important to you on a personal level?
The first book is very much a coming-of-age story about learning to believe in oneself. The second book leans more into the emotional and historical cost of time travel while expanding the world’s depth and lore. It focuses on the yearning for connection across generations—sometimes a connection that is impossible without time travel. The third book explores the true cost of time travel and the legacy of family. It’s about sacrifice—what we give up to save the people we love. It also examines love versus darkness, and who truly has the right to wield the power of the chest.
These themes are deeply personal to me. They reflect how I think about family, responsibility, and the weight of choices passed down through generations.
Tell us more about how the Ancestral Debt Anthology came together.
The spark for the story came while researching my own family tree. I discovered that I’m a descendant of Charlemagne—and from there, I learned that most people in Europe, and therefore America, are as well. I also traced my ancestry back to Ireland and Scotland. That inspired me to write a story that stretches through time, showing what life might have been like across different eras of my own family’s history. I’ve always loved time travel stories, but I wanted something unique in how the magic worked. I didn’t want science fiction—I wanted magic. That’s where the concept of the Ancestral Debt and the time-traveling chest was born.
I began writing A Debt in Time in January of 2024. The book was ready by July 2025 and scheduled for publication on September 15, 2025. Much of that time was spent editing. I worked with a professional editor, a critique group through SWW, and did extensive self-editing. I also spent nearly a year reading over a hundred books across genres—from craft books to fantasy, sci-fi, mystery, thriller, horror, historical fiction, romance, and erotica.
Shortly after book one was ready, I went on an annual camping trip with my family—a tradition filled with love, laughter, and reflection. When I returned, I was inspired to write the sequel, A Debt Remembered. I wrote it in one intense week—about 100 hours of nonstop writing—followed by four weeks of focused editing. It was ready for publication even before A Debt in Time was released in September 2025, so I scheduled book two for October 2025.
I started writing A Debt Returned on December 8, 2025 and finished editing and ordering ARCs by January 7, 2026. Honestly, I think A Debt Returned is my best work yet. Even though I write quickly, I don’t believe I’m sacrificing quality. If anything, I’ve learned how to balance speed with care.
What makes the series unique in the time travel genre?
The series centers on a magically inherited time-traveling chest—one that forces its inheritors to travel through time, even when they don’t want to. It doesn’t treat time travel as an adventure without consequences. Instead, it fully embraces the emotional cost of being displaced from your own life, your own time, and the people you love.
What was your favorite part of putting this project together?
My favorite part was the research. I loved learning about different eras—the food, the architecture, the history, the people, the language. It was incredibly immersive, and sometimes it was honestly hard to stop.
With time travel you are essentially writing historical fiction. What sort of decisions did you make in order for your time travel books to work?
When choosing eras for each character’s journey, I made sure they made sense in terms of why the magic would send that particular person to that moment in time. Each character has skills—whether or not they realize it—that allow them to save the life they’re sent for. With Robert, I focused on knowledge. With James, physical strength. And with Ivy, learning and love.
Did you learn any lessons from writing/publishing A Debt in Time and A Debt Remembered that you applied to book three, A Debt Returned? How about Blood & Wine, the first of your murder mystery series?
Absolutely. Each book has taught me something new. Through editing and critique, I’ve learned how to better balance showing versus telling, how to establish a stronger character voice, and how to trust emotional moments rather than over-explaining them. I genuinely believe my writing has improved with each release. A Debt Returned is the strongest book I’ve presented so far, and that growth carries into Blood & Wine as well.
What challenges did you encounter in writing your series? Did the challenges surprise you? How did you negotiate these possible stumbling blocks?
I expected writing a series to be more difficult than it has been so far. When I wrote A Debt Remembered, the story flowed naturally—I already knew the world and loved the characters. With A Debt Returned, it felt like the story demanded to be told. That said, I do recognize long-term challenges: running out of ideas, losing momentum, or creating plot holes—especially with time travel. That’s why I’ve begun planning the overarching arc in advance. I currently have the next twelve books planned for the Ancestral Debt Anthology, along with multiple books planned for the Michael Flaherty Noir series and my pen-name series. What’s funny is that I also have several unpublished series waiting in the wings, all with strong characters capable of carrying long arcs.
What does a typical writing session look like for you? Do you have any writing rituals or something you absolutely need in order to write?
I wake up early every day—around 4:00 or 5:00 a.m. Since I don’t need to leave for work until 7:30, I write until it’s time to get ready. When I get home, I write again from about 6:00 p.m. to 8:00 or 9:00 p.m. That’s typically 4–6 hours a day, on top of my full-time job as a bank manager. On days off, if I don’t have family events or errands, I’ll write from early morning until late evening—sometimes 16 or 17 hours.
I have a dedicated writing space: a specific seat, desk, and tablet, surrounded by bookshelves. In the morning, I write with coffee. In the evening, it might be tea—or sometimes a scotch, Irish whiskey, or a Guinness. Then I disappear into story.
How has the creativity/discipline you employ as an artist helped you in your writing journey?
I used to tell stories with a single image, spending five to ten hours capturing fine details and the essence of a person. I now apply that same eye for detail to my writing. I want my prose to flow, to hook the reader, and to make them feel something. I also design my own book covers, and I plan to release special editions someday featuring artwork for each chapter.
As a noir murder mystery, Blood & Wine is a huge departure from the time travel fantasy genre of the Ancestral Debt Anthology. What made you choose this different genre?
I love thrillers, noir, and mystery novels, and I want to write in all the genres I love. So far, that includes time travel historical fantasy, noir murder mystery, erotica, science fiction, post-apocalyptic fiction, and even children’s stories.
Share your elevator pitch for Blood & Wine.
A disfigured former Navy SEAL comes to a quiet New Mexico wine town to disappear—only to be framed for murder. Teaming up with a traumatized local investigator, he uncovers a conspiracy of corruption, missing women, and violence that’s been fermenting for years. Blood & Wine is a gritty noir about scars you can see—and the ones you can’t.
What do you like or respect most about the mystery’s main character?
Michael Flaherty wants peace. He’s seen the worst of humanity and wants nothing more than to disappear. But when people need help, he can’t turn away. He has the skillset, the instincts, and the burden of someone who knows what happens when he doesn’t act.
What writing projects are you working on now? Is there anything else you’d like readers to know?
My current focus is Blood & Ice, the sequel to Blood & Wine, which continues following Michael Flaherty and Gracie Kim on their journey together.
I’m also planning to attend as many events as possible this year, including ABQ Collective events, Southwest Comic & Creators Con, Bubonicon (if accepted), and local bookstore signings. I’ve already held a signing at Books on the Bosque and have two scheduled in April 2026—April 25th at COAS Bookstore in Las Cruces, New Mexico and April 26th at Avalon Bookstore in Silver City, New Mexico.
KL Wagoner loves creating worlds of fantasy and science fiction. Her current work in progress is The Last Bonekeeper fantasy trilogy and short stories in the same universe. A member of SouthWest Writers since 2006, Kat has worked as the organization’s secretary, newsletter editor, website manager, and author interview coordinator. Kat is also a veteran, a martial art student, and a grandmother. Visit her at klwagoner.com.
























The Witch Jar (The Off-Kilter Chronicles Book 3, April 2025) by Lynne Sturtevant. Strange things are happening in Black Hand Holler, West Virginia. Mysterious lights flicker deep in the forest. Knocks echo from long-sealed coal mines. Even the bees in the abandoned orchards and the crows on the ridge tops are agitated. When a wealthy woman swoops in with plans to evict the elderly residents and transform the holler into an upscale resort, the supernatural disruptions intensify. Is the backwoods witch who hexed the holler a century ago to blame, or is something much older and deeper at play? Home health aide Ginger Stewart turns to Birdy, a granny woman with Appalachian folk magic coursing through her veins. Does the key to the holler’s survival lie in the secret ways of the mountains? Can they find it in time?







