Monthly Archives: November 2016

An Interview with Author Loretta Hall

Space enthusiast, former math teacher, and award-winning nonfiction author Loretta Hall received the Communicator of Achievement Award from the National Federation of Press Women (NFPW) in 2016. Her newest book The Complete Space Buff’s Bucket List: 100 Space Things to Do Before You Die (Rio Grande Books) was awarded the New Mexico-Arizona Book Award in the travel book category (2016). You can find Loretta at her websites SpaceBucketList.com, NMSpaceHistory.com, SpacePioneerWords.com, and AuthorHall.com.


thecompletespacebuffsbucketlist200What is your elevator pitch for The Complete Space Buff’s Bucket List?
Space buffs want to do more than revel in someone else’s achievements. We want to be involved. We want to participate. This book has a hundred ways to experience space exploration without being an international astronaut or an unmanned space probe.

What unique challenges did this work pose for you?
I found it challenging to search out 100 space activities that weren’t all visiting museums, reading books, and watching TV shows or movies.

Tell us how the book came together.
My publishers at Rio Grande Books decided to produce a series of bucket list books on many different topics. Since they know how spacey I am, they asked me to write a bucket list about space exploration. It’s a short book, only about 12,000 words. The research, writing, and finding photographs took about two months.

Any “Oh, wow!” moments when doing research for this book?
Searching online, I discovered some really cool activities I had never heard of or imagined. For example, I didn’t know you could buy jewelry that contains bits of meteorites or that there are several resources for helping you learn to speak Klingon. And I discovered citizen science projects for furthering knowledge about things like planetary formation, formation of galaxies, and searching for impact sites of several artifacts on the Moon that haven’t been located yet.

How many things on the bucket list can you cross off? What thing on the list do you wish more than anything you could do?
So far, I’ve done 59 of the 100 items on my list. I’d love to spend three or four days at the US Space and Rocket Center’s adult space camp.

What was your favorite part of putting this project together?
I enjoyed discovering space activities I didn’t know existed. And I particularly liked cutting loose and writing text that would be fun to read.

outofthisworld150You have two other nonfiction books dedicated to the topic of space—Out of This World: New Mexico’s Contributions to Space Travel (2011) and Space Pioneers: in their own words (2014). What was the most rewarding aspect of writing these books?
I wanted to make space exploration and its history interesting to people who didn’t think they wanted to know about it. Instead of focusing on the technologies, I wrote about the experiences of the people who developed them. I tried to humanize the topic. When I give talks based on my books, I’m really gratified by the comments that indicate I’m accomplishing that.

What marketing techniques have been most helpful to you?
Giving talks related to the topics of my books works well for me. That way, I’m sharing fascinating information with people rather than just asking them to buy my books. Here’s an example I enjoy sharing: In a half-hour social period before a presentation to a small audience, three people bought copies of Out of This World; after my talk based on Space Pioneers, five people bought that book, which costs twice as much.

What is the most important part of a nonfiction book proposal that a writer needs to get right?
All of it! But seriously, I think it’s being realistic about what readers want. Authors can get enthused about a topic, do the research, and write a great summary; but if the author is the only one who’s interested in it, a publisher won’t buy it. For the proposal, we have to understand and explain why a significant number of people will be interested in our topic. Then we have to keep that in mind as we write the sample chapters and, ultimately, the book. If we think we’re providing worthwhile information, it’s up to us to write it in a way that will attract and hold interest.


KLWagoner150_2KL Wagoner (writing as Cate Macabe) is the author of This New Mountain: a memoir of AJ Jackson, private investigator, repossessor, and grandmother. She has a new speculative fiction blog at klwagoner.com and writes about memoir at ThisNewMountain.com.




Self Publishing Presentations are Online!

If you attended the recent Self Publishing Conference you will be delighted to have access to some of the presentation materials brought by our roster of award winning speakers.   Some of the speakers from the recent Self-Publishing Conference have posted their powerpoint presentations online.   We are also proud to announce that many elements of the conference were recorded and released to YouTube.

Rose Marie Kern shared her insights as to how to determine if self publishing is right for you by posting her presentation on the Pros and Cons of Self Publishing.

Sarah Baker has also donated her insights on what printing companies are good for individuals to partner with in the production of a self-published work.   Her powerpoint  entitled Now What?  is available to you on the conference page as well.

If you would like to access these presentations and recordings, go to the Self Publishing Conference page.

 




An Interview with Author Victor Acquista

After a long career in the medical field, Dr. Victor Acquista has turned his focus of helping and healing to writing fiction that raises awareness of social issues. The science fiction story Sentient (Mirror Matter Press, 2016) is his debut novel. You can find Dr. Acquista at his website VictorAcquista.com.


sentient200What is your elevator pitch for Sentient?
Two highly evolved, telepathic species clash. One is driven by the desire to be the supreme sentient race in the galaxy—highly competitive and determined to dominate. The other is highly cooperative, united in collective consciousness, peaceful—this is our progenitor race and we are nearly annihilated. The genocide of our parent species by the Mind Warriors of T’rox leads us to establish a colony on earth, where telepathy is genetically blocked to avoid detection by T’rox. There are unintended consequences to this survival strategy.

What unique challenges did this work pose for you?
While I had published a nonfiction book and have written several short stories, a full-length novel represented a new endeavor for me. There is a gap between having a good story idea and telling that story in a compelling way. I was uncertain whether or not I could bridge that gap. Upon completion of the novel, I then had to get a publisher. This is more of a left-brain task as opposed to the creative engagement of the right brain required to spin the tale. I also chose to do this by leaving my normal work life/career in the rearview mirror. This posed some economic issues and some writing discipline challenges to say the least.

Tell us about your main characters. Will those who know you recognize you in your characters?
The protagonist, Anyeuros, is a musician who escaped the genocide of his home world and arrives on earth in current times. He is rather distraught by the war, violence, poverty, etc. he observes. He connects with Professor Jeremy Strickland, a brilliant, but troubled physicist who struggles with mental illness. This character has a sense of humor and is rather incorrigible. He is enrolled in an experimental drug program run by Dr. Rebecca Flores. She is a bit of a conflicted anti-heroine.

The story unfolds across three settings. Modern earth (the colony) is only one. The alien world of T’rox is stagnating and their leader Ka ‘Stan recognizes the social decay. He has plans to resurrect their society with new achievements beyond conquering other species. His champion is a ruthless clan leader determined to bring glory to his outcast clan. The third setting involves the early colonists of whom there are only four women and two men. Each has a unique personality and they all struggle with separation from the collective while trying to survive on a harsh new world.

There are bits and pieces of me in almost all of the characters. I am particularly fond of Nathan, Professor Strickland’s teenage neighbor. I like to think he embodies something I aspire toward.

Describe the societies you created for Sentient.
T’rox is an alien civilization strongly acculturated to compete as individuals, as clans, and as an entire planet. Always, they strive to be the best. In spite of having telepathic consciousness which allows sharing, they closely guard secrets and strategies in order to gain advantage over competitors. They are conquerors and kill or enslave other species. A problem occurs when you run out of new species to conquer. This hyper competitiveness turned inward, causing social stagnation and strife.

Adden, the home world of our species, also has evolved to telepathic consciousness, but they share collective knowledge and feel each individual has something valuable to contribute to the collective. As a result, their society is peaceful and without social problems such as poverty, discrimination, injustice.

When these societies meet, an event occurs resulting in our species intentionally blocking telepathy and shared consciousness. How this develops and is resolved over the arc of humanity’s history is the predominant plot element.

What was the most difficult aspect of world building for this novel?
This story had been percolating in my mind for quite a few years, so when it came down to actual writing, the world and society were essentially already built. The challenge for me came more with using examples via plot/character details that illustrate the world and social structures. In many ways, Sentient mirrors our own world and the things we struggle with.

How did the book come together?
I have a background in medicine, but I have been quite intrigued with neurobiology and behavior, social and cultural aspects to development and evolution. I believe we have latent human capacities such as telepathy. I imagined what it might be like to have an entire world linked in collective consciousness, and then asked myself, “Why are we not that way?” The answer I came up with—we intentionally blocked telepathy through genetic engineering as a way to hide from destruction. What problems would likely occur and how might that play out over the course of human history? Since individuals suffering with schizophrenia may experience auditory hallucinations, I posited this represented an incomplete genetic block of telepathy (mischaracterized as mental illness). I thought it would be interesting to cast a character with schizophrenia as one of the protagonists.

I had penned a couple of chapters over the years and many notes, but I really did not sit down to write the book until March, 2015. I finished a first draft by September, edited it umpteen times, and tried without success to get an agent. A small press requested the manuscript in December and we eventually moved to a signed contract. Sentient was released October 15, 2016.

Do you have a favorite quote from Sentient?
“When you rise to power on the wings of fear you must depend on fear to remain aloft.” ~Ka ‘Stan, Ghal of T’rox, 5th Epoch

pathwaystohealth150In your past life you were a physician for many years—and you published the self-help book Pathways to Health: An Integral Guidebook. How did your experience writing nonfiction affect/benefit your fiction writing? Now that you’ve written both fiction and nonfiction, do you have a preference?
I think writing nonfiction requires a different sort of creativity, specifically, weaving thoughts, ideas and information about some aspect of reality and communicating this to readers. For me, writing fiction enables me to play in the vast playscape of imagination without restriction. I enjoy writing and communicating through language. I do feel fiction gives me more expressive latitude and therefore it is my current preference.

What do you want to be known for as an author?
“Writing to Raise Consciousness”—whether fiction or nonfiction. I want to raise awareness of social issues and somehow help to make our lives better, both individually and collectively.

Looking back to the beginning of your writing career, what do you know now that you wish you’d known then?
Writing something to completion is just the first of three mountains I now appreciate as necessary to climb. The second is getting a publisher, which may or may not include getting an agent. The third involves aspects of marketing and promotion such that people actually purchase what you have written. Each of these requires different skills and energy. Looking back, I was particularly naïve about steps two and three. There is a learning curve to writing as a career. I feel as though I have transitioned from newbie to novice, but still have a lot to learn.

Do you have other creative outlets besides writing?
I enjoy gardening, cooking, and contemplation.

What writing projects are you working on now?
I have completed Serpent Rising, the first of a two-book adventure series, Saga of Venom and Flame, and am currently pitching this. I am half done with a satire, The Nihilist’s Pocket Survival Guide to Modern Society. I also am slowly gestating a fantasy novel, but do not have a working title yet. Although many genres are represented here, the common thread of incorporating social themes and issues into the characters and plots links all.


KLWagoner150_2KL Wagoner (writing as Cate Macabe) is the author of This New Mountain: a memoir of AJ Jackson, private investigator, repossessor, and grandmother. She has a new speculative fiction blog at klwagoner.com and writes about memoir at ThisNewMountain.com.




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