Monthly Archives: July 2022

Author Update 2022: Chuck Greaves

Former attorney Chuck Greaves is the award-winning author of four books in the Jack MacTaggart series of legal mysteries. Writing as C. Joseph Greaves, he has also authored three standalone literary fiction novels. His newest MacTaggart release, The Chimera Club (Tallow Lane Books, May 2022), presents the newest case for main character Jack who one reviewer calls “a man with the talents and ethics of Clarence Darrow combined with the charm and mischief of Jack Sparrow.” You’ll find Chuck at ChuckGreaves.com, on Facebook, and on his Amazon author page. Read more about Chuck’s writing in his 2016 and 2019 interviews for SouthWest Writers.


What is your elevator pitch for The Chimera Club?
When film producer Ari Goldstone is murdered in Los Angeles, the DNA evidence points to only one possible suspect: disgraced financier Jimmy Kwan. Except that Kwan was seven thousand miles away in Hong Kong on the night of the murder. Hired by Kwan’s daughter to defend her father, attorney Jack MacTaggart must first solve an even more urgent mystery – how to stay alive long enough to bring the real killer to justice.

What unique challenges did this work pose for you?
As a former L.A. trial lawyer, the procedural aspects of writing a legal thriller like The Chimera Club come naturally and don’t usually require much in the way of research on my part. This novel, however, required quite a bit of research into DNA evidence, how it works, and how it might be challenged. Then, of course, came the secondary challenge of presenting that information to the reader in a way that’s both understandable and compelling, all without slowing the story’s forward momentum.

Tell us how the book came together.
Unlike most of my novels – this is number seven – this one began with a very high-concept ending that, unfortunately, I can’t really describe here without ruining the surprise. Suffice it to say that, with that ending in mind, the writing process involved creating compelling characters and confecting a propulsive plot that would lead readers to that inevitable conclusion. For me, this was the opposite of how I usually work. In most of my MacTaggart novels – this is the fourth – I begin with a milieu into which I toss Jack and follow along with him as he muddles his way to an ending that I might not necessarily know myself until we get there, together. In the case of The Chimera Club, it took me two years to arrive, but I always knew where I was heading.

With this fourth novel in the Jack MacTaggart series, did your protagonist still surprise you as you wrote his story? How would Jack’s friends describe him? How about his enemies?
Jack is such a likeable guy that I think even his enemies would have to concede that he’s pretty good company. Good for a laugh, in any event. I’m not sure it surprised me, but Jack definitely falls in love this time around, with his client’s daughter, a former fashion model who, when the story opens, owns and operates the hottest nightclub in L.A. Jack usually maintains a certain emotional distance from the women in his life – that’s why he’s still single in his early forties – but this time he falls head-over-heels. Which in crime fiction is rarely a good idea.

When did you know Jack was a strong enough character to carry a series?
From the jump. When we sold the debut novel Hush Money to St. Martin’s Minotaur, they recognized Jack as a strong series character, and we never had to pitch them. Which is a good thing because Jack is basically me – or a smarter, funnier, better-looking version of me – and I’d hate to be writing anyone else.

What is the main setting of The Chimera Club, and why is it the best place for the story to unfold?
Great question because, as I mentioned earlier, I started with an ending and could have set the story literally anywhere. Well, anywhere in L.A., given Jack’s backstory and history. Why I chose Chinatown is a bit of a mystery even to me – how do these things happen, anyway? Maybe blame Jake Gittes. I guess it began with Jack’s love interest, a Eurasian beauty whose father, Jack’s client, is a disgraced hedge fund manager known, since his conviction a decade earlier, as the Chinese Bernie Madoff. I needed Jimmy Kwan to be a felon because, for the story to work, his DNA had to be on file with the authorities when film producer Ari Goldstone is murdered in Los Angeles. And one thing led to another, as these things will do.

What was your favorite part of putting this project together?
Returning to Jack. The first three MacTaggart novels – Hush Money (2012), Green-eyed Lady (2013), and The Last Heir (2014) – are now eight years old. In the interim, writing as C. Joseph Greaves, I expanded into literary fiction with my titles Tom & Lucky (Bloomsbury), a Wall Street Journal “Best Books of 2015” selection and a finalist for the Harper Lee Prize, and Church of the Graveyard Saints (Torrey House), which was the six-city “Four Corners/One Book” community reading selection for 2019-2020. So returning to Jack, my first-ever literary creation, was its own reward.

You began your fiction writing career later in life. What did your mature self bring to the writing table that your younger self never could have?
I don’t think I could’ve written a credible legal thriller without having practiced law for as long as I did. Not, at least, without a lot of research and effort (kudos here to Michael Connelly). So there’s that. Also, I like to think Jack brings a certain world-weary philosophy to the MacTaggart novels, and those calluses are earned. Not to mention the discipline required to write seven novels in fifteen years. And finally, fairly or not, the writing life is infinitely more accessible to those with some savings in the bank, at least at the outset.

In your SWW 2016 interview, you mentioned the possibility of writing a “madcap caper novel” with author Deborah Coonts using her Lucky O’Toole character and your Jack MacTaggart. Have you two made progress on the book? And in your 2019 interview you talked about collaborating with a TV director on a possible cable series set in the Southwest. How is that project coming along?
Funny, I ran into Deb not long ago, up in Crested Butte, Colorado in October, when we both were speakers at their annual crime writers’ conference. Unfortunately, the Jack MacTaggart-Lucky O’Toole mashup never got off the ground, although I still think it would be fun to write, since we have similar senses of humor (which is to say, offbeat). The TV pilot, on the other hand, did come to fruition. Director Felix Alcala (ER, The Good Wife, Breaking Bad, Madam Secretary, etc.) and I raised around $700K to film the pilot episode from my original script. We shot it in 2020, mostly in Mancos, Colorado, during the worst of the Covid pandemic (fun!), and are still looking for a distributor. If you think traditional publishing is a tough gig, try Hollywood. It’s been a real slog.

Is there anything else you’d like readers to know?
Only that The Chimera Club, the fourth installment in my Jack MacTaggart series of legal mysteries, is now available in trade paperback, ebook, and audiobook, wherever books are sold. Oh, and it’s a perfect beach read. “MacTaggart is full of awesome.” – Library Journal


KLWagoner150_2KL Wagoner (writing as Cate Macabe) is the author of This New Mountain: a memoir of AJ Jackson, private investigator, repossessor, and grandmother. Kathy has a new speculative fiction blog at klwagoner.com and writes about memoir at ThisNewMountain.com.




Author Update: Avraham Shama

Avraham Shama is an award-winning nonfiction author who specializes in the Russian economy and in the spread of new technologies. His newest release, Cyberwars — David Knight Goes To Moscow (3rd Coast Books, May 2022), is a work of fiction based on true events that one reviewer calls “a thriller reminiscent of Cold War spy novels.” You’ll find Avi on his Amazon author page. Read more about Avi’s writing in his SWW 2017 interview.


What would you like readers to know about the story you tell in Cyberwars — David Knight Goes to Moscow?
The novel is about a New York University professor named David Knight who experiences a breakdown in 1999 after he is fired by his wife and by his employer. David moves to New Mexico to hide and repair his life at the University of New Mexico (UNM) in Albuquerque. Unexpectedly, he falls in love with a young Latina professor at UNM, and the C.I.A. sends him to Moscow to spy on the Russian economy. In Moscow, he accidentally discovers that Russia is preparing for a cyber war against the U.S. Upon his return home, he mobilizes the Agency to begin a counter cybersecurity program to defend his country. In the process, he redeems himself and deepens his New Mexico roots.

The novel is also a tender love story across the Hispanic and Anglo cultures, as well as about an unexpected transformation of David Knight to a patriot. The book is meant for ordinary people like you and me, interested in what is happening to the security of the U.S. and in what could happen to them in view of the Russian threat. It is also intended for readers who like reading about impossible love, and about self-redemption.

What unique challenges did this novel pose for you?
The novel is a work of fiction based on true events. My overall challenge was how much to reveal and still protect my sources. On the other hand, this format allowed me to take certain liberties in portraying the dangers of Russia’s cyber espionage.

What sparked the story idea for the book?
My work in Russia began in1988 and continued for many years during which I came to know many things about the country. But I did not think to write this book until years later. My motivation to write this book was wanting readers to know how President Vladimir Putin decided to invest in cyber weapons in 1999, how he later used these weapons to interfere with the U.S. presidential elections of 2016 and 2020, and how now he is using cyber weapons in his war on Ukraine, in addition to conventional arms. I also wanted to assure readers that, with the help of protagonist David Knight, the U.S. has developed its own cyber technology to counter Russia.

How did the book come together?
The book took longer than an elephant pregnancy from conception to delivery. It was conceived in Albuquerque’s Flying Star restaurant on a leisurely Sunday afternoon over many cups of tea with my friend Robert Spiegel. Then came the planning: detailed outlines of plot, characters, locations, even mood and rhythm, followed by writing first and second drafts. While writing the drafts, I began sending query letters to potential publishers. Then it was time to show the draft novel to five beta readers and incorporate their comments into the next draft. 3rd Coast Books offered me a contract, and the cycle of editing and rewriting started all over again until the novel was published recently and became available at Albuquerque’s Organic Bookstore, Barnes and Noble, and Amazon. Altogether, from start to finish, this novel took two elephant pregnancies.

Who are the main characters, and why will readers connect with them?
My main protagonists are ordinary people like you and me confronting extraordinary situations. Different readers are likely to identify with different characters. My characters include:

David Knight: A young, brilliant NYU economics professor, David plays by the rules but has zero experience in espionage. He is about to be promoted, when NYU and his wife fire him, resulting in his nervous breakdown. David moves to Albuquerque to rebuild himself, but instead, falls in love, and the CIA hires him to spy on Russia’s economy. In Moscow, he is constantly under surveillance and his translator, Alexa Abratova, seduces him. He doesn’t know how to handle these situations. Nevertheless, David obtains critical information about Russia’s plan to mount a cyber attack on the U.S. David mobilizes a U.S. counter-effort and, in the process, is transformed from a mild professor to a warrior who saves his country from the claws of the Russian Bear.

Alexa Abratova: Alexa is an ambitious Russian beauty recruited by the Russian Security to spy on David Knight and his country. She works at The Academy of the National Economy, hosting David. She is David’s translator. Alexa knows men and enters the U.S. through David’s pants. After arriving in the U.S., she breaks into the Albuquerque nuclear lab at Sandia National Laboratory to steal secrets, where David apprehends her. She agrees to spy for the U.S.

Toni Chavez: Toni is a young Latina. She grows up in the small, Hispanic community north of Santa Fe. As a child, she makes a painful transition from her Spanish heritage to a novel Anglo culture that paves her future. Toni has just taken her first job at UNM, where she meets David Knight and falls in love with him. She is an unintended trailblazer: first in her family to go to college, first Latina professor at UNM’s Political Science department.

Michael McDonald: Mid 40s. Mike has the deceptive appearance of a playboy, but he is smart and good at his craft. We meet him as a Sandia National Laboratory scientist who is invited by David to help with Alexa’s research. He is an antidote to Alexa. We later learn that he works for the Agency and is onto Alexa the spy from the moment she arrives in the U.S.

Yevgeny Turgov: Yevgeny is an old-school communist and Rector at the Academy, but everyone knows he is a leading member of the Communist Party, keeping tabs on everything. Yevgeny is unhappy with the widespread poverty brought by the economic restructuring. He expects the new Prime Minister, Vladimir Putin, to make Russia great again.

Sasha Pachenko: A washed-out Russian scientist with a Ph.D. in nuclear physics who works in the secret city of Chelyabinsk. He is now taking management courses at the Academy in Moscow. Sasha is developing the use of big data that could destroy Russia’s enemies, including the U.S. He seeks David’s help to move to America in return for helping the U.S. against the Russian cyber threat.

What are the main settings in the novel, and how did you choose them?
This novel takes the readers to many fascinating places in New Mexico, Moscow, and New York, all dictated by plot. In Albuquerque the reader is introduced to life in academia at UNM and its Student Union, the Duck Pond, and to eateries like Los Quates, Paul’s Monterey Inn restaurant, the hiking trails in the foothills of Albuquerque, and the secret existence behind the tall fences of Sandia and Los Alamos National Laboratories. In Santa Fe, the reader joins David in La Fonda bar to meet Sasha Pachenko and more. And in Antonito, David is introduced to life in the small Hispanic town where his girlfriend Toni grew up. In Moscow the reader experiences the Academy of the National Economy, stays in a Russian style Bed and Breakfast, visits the tourist sites, and inhales the special odor in the lobbies of many apartment towers. Other settings include New York City, where the reader gets a glimpse of life at NYU and in its faculty housing, not far from Washington Square, and dines out with David Knight and his colleagues in a real Italian restaurant.

When did you know you had taken the manuscript as far as it could go and that it was ready for publishing?
I have never felt that any of my six books (and more than fifty articles) were ever fully ready for publishing. There is such a finality to publishing that I am almost always reluctant to let go. As a result, I use a practical yardstick: when my writing is the best I can do for the moment and my publisher concurs, then I let go.

What was your favorite part of putting this project together?
By far the most rewarding part of writing and publishing this spy novel was the conception and planning stage, the part that began way before I put any word to paper. At that phase the novel was perfect, its plot flawless, its characters intriguing, and its narrative flowing.

Cyberwars: David Knight Goes to Moscow is a departure from your nonfiction work. Why did you choose to go in this direction?
I had written five books and numerous articles before this spy novel. They were mostly nonfiction, dictated by the mind and driven by facts, although my memoir, Finding Home: An immigrant Journey, and several of my short stories allowed me certain literary freedoms associated with writing fiction that I found pleasing. But Cyberwars is fiction based on true events. In this respect it is a departure from my other literary works. I chose this fiction route because it afforded me the privilege of creative writing, which I found liberating and appealing. There was another reason why this spy novel had to be written as fiction. Had I gone the nonfiction route, I could have harmed some of my sources, which I wouldn’t do.


KLWagoner150_2KL Wagoner (writing as Cate Macabe) is the author of This New Mountain: a memoir of AJ Jackson, private investigator, repossessor, and grandmother. Kathy posts to a speculative fiction blog at klwagoner.com and writes about memoir at ThisNewMountain.com.




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