Monthly Archives: August 2017

An Interview with Author Claire Stibbe

Claire Stibbe is a British author of nonfiction, short stories, and novels who writes from her home in Albuquerque, New Mexico. Her award-winning books include a historical fiction series set in Egypt and a crime thriller series set in New Mexico. Past Rites, the third of her Detective Temeke crime novels, was published by Noble Lizard Publishing (2016). You can connect with Claire on her website CMTStibbe.com and blog, and on Facebook and Twitter.


What is your elevator pitch for Past Rites?
What do you get when you mix a psychopathic killer with a few teenagers dabbling in black arts at a boarding school? A recipe for murder! For those who like a walk on the dark side this might be your cup of tea or, more aptly, your poison.

What unique challenges did this work pose for you?
I think the most difficult challenge was trying to answer some complex and seedy questions I had been asking myself for years. What are serial killers? Are their demons real?

How did the book come together?
The idea for this book came from watching serial killers being interviewed and learning how the roots of their catastrophic behavior often reach right back into their childhood. Often, I saw a pattern in the way their parents meted out discipline; it was abusive, unpredictable, unfair and wicked. Maybe there is an argument for serial killers being manmade not born. Huge developmental fractures occur when a child is isolated and in permanent terror. They will soon believe the emotionally barren world that surrounds them is normal. Serial killers are like ticking time bombs, but what makes them tick? Past Rites took about three years to research and about five months to write. I have five BETA readers and two Alphas plus two paid editors. All this can add a further two months before publication.

What was the most rewarding aspect of writing it?
The most rewarding aspect of writing Past Rites is the conversation between the person I call Demon and the serial killer in the book. How the serial killer spars for bodies and how Demon haggles for souls.

All kinds of warfare are devastating, including spiritual warfare, where the assault takes place on the inside, in a person’s head. Past Rites is about one man’s internal war and the devastation it causes.

Tell us a little about your main character. After writing four novels in The Detective Temeke Crime Series (the fourth yet to be published), did your protagonist still surprise you as the story unfolded?
My protagonist is an old dog in the fight—a feisty and somewhat crabby Brit who has wound up in New Mexico much like I did. He sees the world through cynical eyes, believes in cutting corners, and has a passion for justice. Although there are some who would like nothing better than to cut him from the unit, Temeke is the one person who always seems to find a way to finagle the truth out of his crooks. He’s so bloody good at it and gets more proficient with each book. It always surprises me how he does it.

Why did you choose New Mexico as the setting for the series?
New Mexico is a unique state. With its Pueblo Indian and Hispanic society, sand that looks like snow, unique rock formations and vast national forests, it makes for the perfect setting. Diverse cultures amp up the characterization and make the book more interesting. Having said that, I don’t tend to write in local accents or expressions since overseas readers lose the gist.

Was there anything surprising you discovered while doing research for this book?
Yes, I think the most surprising thing was the way the police department operates here in New Mexico. I am told that it’s unlike other states where some procedurals are concerned. Having graduated from the Citizen’s Police and Sheriff’s academies, I replicate the local procedures of investigation, but at the same time I don’t tend to place all the typical people at a crime scene because I don’t want to overwhelm the reader. For instance, Temeke’s assistant district attorney is not named even though she would be present. There are also some inconsistencies in the way Temeke conducts non-custodial interviews. I also describe Northwest Area Command as a two-storey building to incorporate Unit Commander Hackett’s extraordinarily large roost on the top floor. All these add eccentricities to the characters.

You have two other novels in your Detective Temeke series (The 9th Hour and Night Eyes) and a fourth (Dead Cold) on the way. What are the challenges of writing a series?
The most important challenge for me is to complete each case in one episode/book, leaving the core characters and their relationships to develop over the body of the series. The main protagonist, Detective David Temeke, must be both gutsy and shrewd enough for readers to want to return to meet him again. I have been told the series is addictive and that readers love the characters. Malin Santiago, another detective in Temeke’s unit, receives texts and emails from someone who appears to want to help her with each case. We don’t know who this is yet, but it provides a recurring theme throughout the series.

What do you love most outside of writing and reading?
Coffee. Must have a good cappi (cappuccino) in the morning. Peace. I love listening to the wind in the trees.

What first inspired you to become a writer? When did you consider yourself a writer?
My father was the biggest and brightest influence. He was taught by C.S. Lewis during his time in Oxford and frequented many of Professor Tolkien’s seminars. School holidays would not be complete without sitting on a tartan rug down the Lion’s Mouth (a wooded gorge in North Norfolk, UK), eating sandwiches and being bitten by midges, while listening to my father’s memorable voice reading The Lord of the Rings. It’s one of the many things I miss and one of the many things for which I’m so very grateful. My father wrote a book about his time in Wingate’s second expedition into Burma, and my twin brother is a bestselling author. I can’t say when I considered myself a writer because I’m still learning.

Of all the books you’ve written, which one did you enjoy writing the most?
Night Eyes. I love the dynamic between parent/guardian and child and the lessons learned. We live in a fatherless society where boys need a good and lasting influence. Adults shape children. Boys need dads.

Tell us about your writing process.
Since the books are character driven, I’m mostly a pantser. But there is a good deal of coffee drinking alone in cafés with a notepad where plotting and people-watching occurs. You catch the greatest dialogue when sitting close to two unsuspecting people. I have a set-in-stone timeline for each book. Some span two weeks, some are only twenty-four hours—it depends on the case.

Who are your favorite authors, and what do you admire most about their writing?
Paul Gallico for his astonishing powers of description. John Grisham for flawless plots. Dean Koontz for intricate characterization and Thomas Hardy for historical fiction.

What is the best encouragement or advice you’ve received in your writing journey?
The best advice I have ever received was the familiar adage “less is more.” Another has to be “write what you know.” Extensive research and life experience goes without saying.


KLWagoner150_2KL Wagoner (writing as Cate Macabe) is the author of This New Mountain: a memoir of AJ Jackson, private investigator, repossessor, and grandmother. She has a new speculative fiction blog at klwagoner.com and writes about memoir at ThisNewMountain.com.




An Interview with Author Charlene Bell Dietz

In her search for “the parts of life that really matter,” Charlene Bell Dietz discovered “if you throw your heart and soul into what you care about,” the little things you fuss over disappear. She developed a firm foundation for creating plots and characters during a long-term career in education, plus time spent volunteering in the scientific community and caring for elderly relatives. The Flapper, the Scientist, and the Saboteur (2016) is her debut novel inspired by the real life of her mysterious aunt. Look for Charlene on her website and on Facebook.


What is your elevator pitch for the book?
In this novel a workaholic bio-medical scientist, Beth Armstrong, is torn between saving her sabotaged ground-breaking, multiple sclerosis research or honoring an obligation to care for her chain-smoking, Cuba-Libre drinking, ex-flapper aunt.

What unique challenges did this work pose for you?
The Flapper, the Scientist, and the Saboteur crosses the traditional genre lines because the story intertwines corporate espionage with a generational battle-of-wills family saga. Even though I received kind and even complimentary rejections, I discovered most agents and larger publishing houses weren’t willing to put time or money into something this different.

Tell us about your main characters. Will those who know you recognize you in your main protagonist?
Being a nursemaid ranks a notch above catching the plague on Beth’s scale. She’s an obsessive professional dedicated to keeping her science institute a world-class organization. Unlike Beth, her aunt would prefer anything deadly to losing her independence under the care of her compulsive niece. While a murderous culprit runs loose in the science institute, frustrating Beth at every turn, her raucous aunt entertains Beth’s neglected husband with nightly cocktails and stories from the Roaring Twenties.

No one who’s read this story has ever mentioned that Beth reminds them of me. That’s a relief, because at first Beth might not be likeable to readers. I write a lot of short stories, and having my characters change from beginning to end is always on my must-do list. In this book, and also in my next book, I hope readers notice how at the end even my secondary characters have grown and changed from the beginning.

Why did you choose Colorado for the setting?
For over twenty-five years I volunteered at Lovelace Respiratory Research Institute at Sandia Laboratories in Albuquerque as their lay person for the Institute Animal Care and Use Committee. I read researchers’ protocols, participated in their monthly meetings, and helped the committee with their biannual inspection of all the animals. Since my story took some artistic license with what I know about research science institutes, and because my story highlighted the economic espionage act with some nasty characters, I needed to remove any suspicion concerning my imaginary story with my connection to the Sandia Laboratory institute.

Denver became the logical place for several reasons. When I was in grade school, I spent many summer days running all over the city with my young cousins via city bus. As kids do, we believed we owned the place—from the Capitol building stairs to the Aladdin Theater on Colfax to the elevators in the Museum of Natural History. As an adult, I continued to spend time there visiting relatives. I know the city. The size of Denver allowed me to invent a science institute without identifying its exact location. I also needed a small, mountain town several hours away for my protagonist’s family home. I’d once lived in Cañon City, Colorado, so it became my Valley View—with artistic license again.

How did the book come together?
When my mother died, her mysterious elder sister needed help. You guessed it. Her photo is the one on the cover of my book. She kept most of her antics as a flapper secret, but after an evening of rum and Cokes, she dropped names of people, places, and dates. Without her knowing, I took notes on anything handy—napkins, grocery receipts, envelopes, whatever I could put my hands on. When she died five years later I didn’t really know her story, but it needed to be told. Most of it is fiction, but still researching, editing, rewriting, getting rid of all the bad advice and keeping the good parts, plus finding a publisher took me well over ten years.

What did you enjoy most about writing the book?
Listening to my aunt’s voice in my head as I wrote made the writing easy. She seems to have won the favorite character award for this story, and I know why. When this aunt kicked up her heals as a teenager running away to Chicago, she gave up her college career. Probably because she didn’t get a high school diploma, she read all the time so she could prove she wasn’t stupid. She did seem to know everything about everything. I’ve discovered tremendous enjoyment in writing about strong women who follow their passions.

Is there a scene in The Flapper, the Scientist, and the Saboteur you’d love to see play out in a movie?
From the first conflict on page one to the final emotional last page, I wanted the reader to live every scene. Because of this, my writing style doesn’t use a lot of physical descriptions except when connecting bits of it to motives, emotions, and the characters’ deep internal conflicts. In my opinion, the whole book would make a tension-filled, eye-appealing movie—especially if Maggie Smith played the aunt (big smile here).

Your second book in the series (The Flapper, the Imposter, and the Stalker) will be released in the fall of 2017. What are the challenges of writing a series?
In The Flapper, the Imposter, and the Stalker the reader learns more about the ex-flapper aunt as a young woman. In 1923 this beautiful, bright teenage girl flees to Chicago looking for happiness, love, and an escape from being murdered. Since it’s a prequel to the first book, I had no problem creating it as a standalone. In the first book I give the reader hints about some of the aunt’s antics in the Roaring Twenties. Readers of the prequel may believe they’ve heard some of these tales before; however, now they’ll learn the full story behind all of her misbehaving.

What is the best compliment you’ve received as an author?
Before being awarded the 2016 New Mexico-Arizona Book Award in the First Book category, or being selected as a finalist in the International Book Award, I would have said the best compliment happened when a professional editor told me she couldn’t get my characters’ voices out of her head months after she’d finished working with my book. All the other compliments I’ve received naturally made me feel good inside—but kind of like your mom saying, “Good job, sweetie, I’m proud of you.” You know authors; we have fragile egos when it comes to our work. Having those award judges select my book from all those submitted totally validated my writing ability.

You mentioned you took lots of notes when your aunt told some of her stories from her flapper days. What have you done with them, and where can readers buy your book?
The notes are amusing to read. I never knew what might come out of her mouth: funny, inappropriate, or heartfelt. I’ve slid each of them into sleeve protectors in a three-ring binder. Along with photos, these are items I take to show-and-tell after a book club has read the book. When a book club reads The Flapper, the Scientist, and the Saboteur, I’m excited to come, answer questions, and show them the rest of the story. Book clubs can message me through Facebook or email me at chardietzpen@wildblue.net. Op Cit in Taos and Santa Fe, along with Collected Works, has copies of my book, as does Bookworks, Treasure House Books, and Barnes & Noble in Albuquerque. Naturally, it can be ordered online, too.

What writing project are you working on now?
Whenever I need a break, I write short stories. Rocky Mountain Fiction Writers published one last year in their anthology. I’m submitting two more for consideration in other anthologies. In a few days I’ll get back to the third book in the Flapper series. This one takes place in time right after The Flapper, the Scientist, and the Saboteur. Right now I’m about fifty percent through the first draft.


KLWagoner150_2KL Wagoner (writing as Cate Macabe) is the author of This New Mountain: a memoir of AJ Jackson, private investigator, repossessor, and grandmother. She has a new speculative fiction blog at klwagoner.com and writes about memoir at ThisNewMountain.com.




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