Monthly Archives: September 2019

An Interview with Author Sherri L. Burr

Sherri L. Burr is the president of New Mexico Press Women and a long-time member of SouthWest Writers. She holds degrees from Mount Holyoke College, Princeton University, and Yale Law School and is Dickason Chair in Law Emerita and Regents Professor Emerita at the University of New Mexico (UNM) School of Law. A national and international speaker, Sherri has also authored 27 nonfiction books. Her newest release, Complicated Lives: Free Blacks in Virginia, 1619-1865 (Carolina Academic Press, 2019), was timed to coordinate with the 400th anniversary of Africans arriving on the shores of Virginia. You’ll find Sherri on her UNM faculty profile page.


What is your elevator pitch for Complicated Lives?
Complicated Lives examines the lives of Africans who arrived on the shores of Virginia in 1619 and what happened to them, their progeny, and subsequent arrivals. This book challenges beliefs about slavery that all Blacks were slaves, that all Whites were slaveholders, and that slavery only took place in the South. This book illustrates how Free Blacks integrated into the fabric of a land far from their homeland.

When readers turn the last page in the book, what do you hope they take away from it?
I hope readers have been transformed in their thinking about how slavery developed, how wrong it was, and how we must work to make sure that it never happens again.

What would you like readers to know about the foundation of the book?
Complicated Lives was written to make difficult history accessible for the general public. It’s a page turner and I hope readers continue until they have read the last word and contemplated the book’s meaning for our current lives.

The Amazon category for the book is African American Demographic Studies. You’ve combined fiction and nonfiction writing techniques for Complicated Lives—how do you personally categorize this work?
I categorize the book as a good read for people interested in learning more about U.S. history, particularly why slavery has been so difficult to discuss.

Tell us how the book came together.
Complicated Lives evolved out of serendipitous events and discoveries. I wanted to know why my great-great aunt Lillian had chosen to live in Wyoming. When I knocked on the door of her former home, I was invited in by her former neighbor and friend, Ms. Lucy Vigil, who had been born in Wagon Mound, New Mexico. A few months later, I was flying into Salt Lake City to attend the National Federation of Press Women conference when a seatmate suggested I visit the Family History Library. Thinking I would check it out for 15 minutes, I walked out three hours later with a stack of census records showing that Aunt Lillian’s father and my great-great grandfather had been born free in Virginia in 1847. I was hooked!

There were many starts and stops in getting the book published. I worked with an agent who sought to sell it to major publishers. In the end, the book was picked up by Carolina Academic Press after I engaged directly with the publisher at a national law conference.

What are a few of the most surprising facts you discovered while doing research for this book?
I was shocked by how indentured servitude evolved into perpetual enslavement, and how often legal changes impacted the way people chose to lead their lives. After Virginia passed a law requiring newly freed slaves to leave the state within a year and a day of receiving freedom, several families who had purchased their relatives out of slavery were left in a quandary. For example, as she was dying, Sarah Spears, a Free Black woman who had purchased her husband’s freedom, chose not to free him but rather willed him to her free-born children so he would not have to leave Virginia.

What was your favorite part of putting the project together?
I loved researching in libraries and archives all over the world. When I lost track of time at the Family History Library in Salt Lake City, that was the first of dozens of times where I entered a flow state while researching material for this book. When I found a nugget of history that shed light on so many forgotten elements, I was thrilled.

You recently participated in a ceremony honoring your ancestor, John Pierre Burr, who was the son of Aaron Burr, the third Vice President of the United States. What did you take away from that experience?
The John Pierre Burr headstone project began when I drafted a grant proposal to the Pennsylvania Abolitionist Society (PAS) to place a small marker and have a program discussing his anti-slavery activities. After the PAS gave only $500 for a reception to the Aaron Burr Association, ABA president Stuart Johnson scrambled to raise donations for the headstone and its installation. In the end, the entire project cost about $7,000. John Pierre Burr was a person any Founding Father would have been proud to call a son, and Aaron Burr deserved to have John Pierre Burr added to his legacy.

Along with his wife Hetty Elizabeth Emery, John Pierre Burr was an avid abolitionist who became a conductor on the Underground Railroad. The Burrs hid self-liberating slaves in their attic, cellar, and a concrete hole in the backyard, while their front parlor was used as JPB’s barbershop where he cut the hair of white patrons. As I researched their history, I found their names on just about every anti-slavery group formed in Pennsylvania during their adult lives. I tell a tidbit of their story in Complicated Lives to illustrate the roles of Northern Blacks to free all blacks from bondage.

What does a typical writing session look like for you?
I typically write in 90-minute sessions and take 30-minute breaks in between. If I keep my workload to a maximum of three such sessions a day, then I conserve energy for the next day. I’ve learned that it doesn’t pay to over-work on a particular day, because then the next day is far less productive.

What writing projects are you working on now?
I am currently working on Aaron Burr’s Family of Color. The activities of both of Vice President Burr’s children of color were so extraordinary that readers might wish to know more about them and his relationship with them.


KLWagoner150_2KL Wagoner (writing as Cate Macabe) is the author of This New Mountain: a memoir of AJ Jackson, private investigator, repossessor, and grandmother. Kathy posts to a speculative fiction blog at klwagoner.com and writes about memoir at ThisNewMountain.com.




Author Update: Joyce Hertzoff

Retired from over four decades in a science-based career, author Joyce Hertzoff now writes flash fiction, short stories, novellas, and novels in several genres including mystery, science fiction, and fantasy. She released two books in 2018: So, You Want to be a Dragon, a middle-grade adventure, and Beyond the Sea, book three in The Crystal Odyssey series for a YA audience. You’ll find Joyce on Facebook, Twitter, and Pinterest, as well as her website at FantasyByJoyceHertzoff.com and blog at HertzoffJo.blogspot.com. Read more about Joyce in her SWW interviews for 2015 and 2017, and visit Amazon Central for all of her books.


What is your elevator pitch for So, You Want to be a Dragon?
When three children succeed in turning themselves into dragons to parlay with real ones and protect their town, how can they change back?

How did the book come together?
I honestly don’t recall the spark that ignited this story. I had an image of a teenager selling shellfish and her little sister alerting her to the dragon attack on their harbor town. That’s basically still the first scene in the book. I had to put it together after that. What would they have to do to reason with the dragons? What process would they need? That was all based on the characteristics dragons have. It’s not a long book, so it took less time to write than my novels, but there was a lot of thought and research necessary to bring it together. And then I got the services of the amazing Rik Ty to give me drawings I could use and even a cover design.

Tell us a little about your main characters.
Bekka, the fourteen-year-old first-person POV character, is the responsible one, but she’s caught up in her little sister’s enthusiasm. She also learns during the story that her sister has skills and abilities she’s never known about. Cora is described by Bekka as seven going on forty, full of energy and enthusiasm. She’s the one who comes up with the idea to shape-shift into dragons. Derry, the third of their group, is a next-door neighbor, the kind of boy mothers are wary about. Additional characters include a revered mage, a self-styled shape-shifter, a boat captain, and the girls’ mother, as well as dragons (of course).

What was the most difficult aspect of world building for this book?
Finding ways for the kids to turn into dragons when the shape-shifter failed them, and then ways to turn them back.

What was your favorite part of putting this project together?
I had fun writing the story, and my enjoyment doubled again when I saw Rik’s drawing of the dragons and the kids, both for the cover and the inside of the book.

The Crimson Orb, the first book in The Crystal Odyssey series, follows teenager Nissa on a journey to find the wizard Madoc, her missing magic teacher. The series continues in Under Two Moons with Nissa searching for the source of Madoc’s strange books which leads her to discover secrets about her world and its lost crystal-based technology. What would you like readers to know about the story you tell in book three, Beyond the Sea?
It continues the story of Nissa’s growing awareness of the world she lives in. Traveling beyond the sea to Fartek, she has more new experiences and learns how divided the people of that continent have become since the fall of the artificial satellites a thousand years before. Finally, she and her companions find the source of the strange books Madoc got from a traveler from Solwintor.

Each of the books in the Crystal Odyssey Series takes place in a different part of your story world. How did you decide on the settings for this book?
I wanted it to have a somewhat Asian influence, as opposed to the Scandinavian features of Solwintor and the British feel of Leara. But the setting had to have inherent dangers too, like the chasm and the tigers.

What do you like most about Nissa, the main character in the series?
She is open to learning new things and accepting new people. She’s also a feminist, encouraging other girls and women to take charge of their lives.

What unique challenges did this project pose for you?
I wanted to make Nissa’s experiences different from those in The Crimson Orb and Under Two Moons. I also wanted each group of people to have unique characteristics and knowledge.

How do you meld science with fantasy elements to make this series work?
When I wrote the first book, I referred to it as crystal punk. Rather than electricity powering the machines, everything works using crystals. But they had to focus energy for that to be true. I based part of it on things like crystal radios, and the rest on the characters’ abilities to use their minds to focus the energy all around them. I wish we could do that. Many fantasy stories refer to the ley lines supposed to exist all around the Earth. The energy is strongest at certain places.

You help facilitate online courses for Writers Village University. What do many of the beginning writers you deal with misunderstand about storytelling?
Many don’t know how to bring out the emotions in their characters. That’s part of what engages readers. I struggle with that skill myself. Also a few rely too heavily on descriptions that have nothing to do with the plot or characters.

What writing projects are you working on now?
I’m working on several projects: the fourth book in The Crystal Odyssey series; a sequel to my award-winning portal novella, A Bite of the Apple; a story about a train disaster that turns out to be apocalyptic (I’m writing the third novel of that series); and an enviro-apocalyptic story about a girl exiled from a domed town.

Is there anything else you’d like readers to know?
I’ve also had a few short stories published. The latest story, “A Woman Hobbles into a Bar,” appears in the charity anthology Challenge Accepted.


KLWagoner150_2KL Wagoner (writing as Cate Macabe) is the author of This New Mountain: a memoir of AJ Jackson, private investigator, repossessor, and grandmother. Kathy posts to a speculative fiction blog at klwagoner.com and writes about memoir at ThisNewMountain.com.




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