Monthly Archives: October 2018

An Interview with Author Ronn Perea

Ronn Perea might be best known for his ventures into comedy and theater productions in the United States and abroad, but he is also a history buff and a published author. His newest book is the historical novel Elsie and Elsa (2018) which sheds light on important events that occurred in the American Southwest from 1943 to 1975. You’ll find Ronn on his website at RonnPerea.com and on Facebook.


What is your elevator pitch for Elsie and Elsa?
During the mid-20th century, many historical events occurred in the American Southwest that shaped the lives of many families. This story brings to light those events and the people who changed the course of history including World War II secret prisoner of war camps, atomic bomb espionage, the embryonic birth of technology, the Pope, the President, movie stars, celebrities, and a future rock-n-roll sex god. As this story takes place, a life shaping relationship grows between two high school girls, Elsie and Elsa.

What was the most rewarding aspect of writing the book?
Fleshing out the history while actually viewing, touching, and feeling it.

Tell us a little about your main characters.
Elsie and Elsa were my mom and her high school friend. Historical events occurred around them that they were unaware of as the events happened. Elsie and Elsa would later be a resource as witnesses to these actual occurrences.

Do you have a favorite quote from the book you’d like to share?
I’ll paraphrase from the New Mexican 200th and 515th Coast Guard Artillery groups who were the first to shoot down Japanese planes on December 7, 1941 (the same day as Pearl Harbor). This time our guys were not surprised when the Japanese started to attack them in the Philippines. During the next four months, as our cut-off troops were using up their last bullets and eating their last slices of bread, newspapers back home were calling them The Battling Bastards of Bataan. When 70,000 Americans finally surrendered and were forced to march the infamous Bataan Death March, our boys were resigned to their motto, “No Mama, No Pappa, No Uncle Sam.”

How did the book come together?
Elsie and Elsa took ten years to compile, write, rewrite and edit. When about to be published, I discovered new facts that I had to include. It took another year before the book was ready for publication.

What first inspired you to become a writer?
As soon as I was out of college, I wrote my first novel. It’s now collecting dust somewhere.

Looking back to the beginning of your writing career, what do you know now that you wish you’d known then?
I have realized that it helps to write about what you know. The intimate details are easier to describe.

Who are your favorite authors, and what do you admire most about their writing?
Ernest Hemingway. Action with historical. Do I need to say more?

What is the best encouragement or advice you’ve received on your writing journey?
Never give up. Explore all options, some will always work for you.

What have you learned as a comedian that has helped you with your writing career?
As a show biz producer of stage presentations, it’s simple. Start with a strong opening that leads to a solid middle that leads to a killer ending.

What writing projects are you working on now?
My next novel is about baseball. Not about the star home run hitter or the star pitcher. But when was the last time you read a story about five generations of a family of umpires? It starts in the future and goes back to the beginning of townball and how it migrated west. And how in 1880 the Atchison, Topeka and Santa Fe Railroad brought it to Albuquerque.


KLWagoner150_2KL Wagoner (writing as Cate Macabe) is the author of This New Mountain: a memoir of AJ Jackson, private investigator, repossessor, and grandmother. Kathy has a new speculative fiction blog at klwagoner.com and writes about memoir at ThisNewMountain.com.




An Interview with Author Gabrielle Dorian

Author and attorney Gabrielle Dorian marries courtroom experience with witty banter and memorable characters in her debut romantic comedy Waking Up in Vegas (2018). When she’s not writing or practicing her magic in the Land of Enchantment’s legal system, you’ll find her rollerblading or kickboxing. Connect with Gabrielle on her website at WritingWithTheSharks and on Twitter.


What is your elevator pitch for Waking Up in Vegas?
A stop-and-go divorce case spurs a stop-and-go romance between opposing counsel on the case.

What unique challenges did this work pose for you?
Formatting. The characters communicate with each other via text occasionally throughout the book, and I wanted the text messages to appear in the book as they would look on a phone screen. Now that that’s been accomplished, it is proving to be a challenge adapting the text messages for the audiobook script. Fortunately, I am working with a creative audio team, and I think it’s going to be great.

What was your favorite part of this writing project?
I loved the moments when I made connections between something that had happened earlier in the story with a later part, where something cool could happen, just because I had fortuitously set it up. Maybe it was there on some subconscious level. I’m willing to give myself some credit. But it felt like I had a lot of serendipitous “aha” and “yay” moments where I was able to work something back into the story, which gave it a lot more depth.

How did your book come together?
I had been happily single for about seven years when I met someone (not opposing counsel on a case, but an attorney I met in court) who made me question my views on relationships. But that relationship ended just as quickly as it began, and I was left wondering: What just happened? I started working through my thoughts on relationships, using writing, and a story developed out of it.

The first draft was completed in about nine months, and then the book went through two major editing rounds (which included a few additional rounds targeting specific chapters). It took about two years and some change  from initial idea to the time I hit “publish” on Amazon KDP.

Why did you choose Las Vegas, Nevada as the setting for the book?
I chose Vegas as a backdrop for a few reasons. Although it is almost as easy to get married in many other states (no blood test required, no waiting period), there is still a common perception of Vegas as the destination for a spontaneous marriage or quickie divorce. One thing I discovered about Vegas in my research is that the County Clerk’s office is open sixteen hours a day, which, coupled with the legal public drinking and ongoing party atmosphere, probably does allow for (if not encourage) a higher rate of spontaneous weddings than in other states. I also enjoyed juxtaposing Mallory’s character (somewhat introverted, career-focused, risk averse) with the stereotypical outlandish Vegas setting.

Tell us about your main characters.
The two main characters are attorneys. Mallory, a talented estate planning attorney, is reluctant to leave her comfort zone. Tyler, a brazen divorce attorney from Chicago, starts off on the wrong foot, looking like a smug jerk to Mallory. He quickly wins over Mallory’s paralegal, Amanda, and Amanda convinces Mallory to give Tyler a chance.

I really enjoyed writing Amanda, because she has a lot of qualities I wish I had, plus a ton of confidence and minimally censored sassy responses. My favorite character to write was actually Tyler’s mother, Quinn. Completely uncensored and unapologetic, Quinn is the free spirit who enters into a spontaneous marriage that sets the whole story in motion. Those close to me have pointed out commonalities between me and several of my characters.

Did you discover anything interesting while doing research for Waking Up in Vegas?
I searched for “crazy things people do in Vegas” online, and read a lot of interesting stories. Only one anecdote ended up becoming the basis for a minor character in my story, but describing it would spoil one of my favorite surprise moments in the book.

What are the hardest kinds of scenes for you to write, and what do you do to get over this hurdle?
I find it difficult to write scenes involving dialog in a group of people because the reader has to be able to tell who is talking, and because there must be action (a lot of people just standing around talking gets dull quickly), and again, the reader has to be able to tell who is doing what. I hate using a lot of dialog tags, but when more than two people are talking in a scene, I have accepted the need to use more tags to identify the speakers. I try to make each character’s voice as distinguishable as possible and to pair a character’s action with the speech to minimize the necessity of tags.

What writing projects are you working on now?
I am currently working on the second book to follow Waking Up in Vegas, tentatively titled Chicago is So Two Years Ago. I am also working on a series of short stories about lawyers, more dramedy than romantic comedy, to be released close to the Discovery Channel’s “Shark Week” in 2019. I blog about lawyers, being a female attorney, and dating on my website. Finally, I am working on a screenplay about gym rats—a modern day bromance.


KLWagoner150_2KL Wagoner (writing as Cate Macabe) is the author of This New Mountain: a memoir of AJ Jackson, private investigator, repossessor, and grandmother. Kathy has a new speculative fiction blog at klwagoner.com and writes about memoir at ThisNewMountain.com.




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