Monthly Archives: April 2024

The Writing Life: Rejection

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by Sherri L. Burr

To write and seek publication is to risk rejection. The Los Angeles Review of Books published a story on March 26, 2024, about the rejection letters Nobel Laureate Toni Morrison wrote when she was an editor at Random House.[i] “I found it extremely honest, forthright, and moving in ways I had not expected it to be, but it is a shuddering book and one that offers no escape for any reader whatsoever,” Morrison said to one author. Her letter concluded, “You don’t want to escape, and I don’t want to escape, but perhaps the public does and perhaps we are in the business of helping them do that.” In other words, a story can be too miserable.

I received my first rejection letter at age 16. I had pitched a story to Guidepost Magazine about an encounter with my minister. The editor found the event less inspiring than I did. Many more rejection letters and emails would follow. Rejection can be hard on the ego, but never sending anything out risks never getting published. That can create a deeper blow to our internal psyche.

When I wrote my first co-authored book, Art Law: Cases and Materials, my co-authors and I were rejected by every major legal book publisher. After a smaller publisher offered us a contract, my male co-authors insisted on going back to every major legal book publisher to let them know we had an offer and ask if they would like to match it. That attempt to leverage a small offer into a bigger one failed. All the major legal book publishers rejected us a second time.

The reception was different for my next co-authored book, Entertainment Law: Cases and Materials in Film, Television, and Music. One small publisher accepted the book based on an oral pitch from my co-author and me. I insisted we first complete a book proposal to shop to all the major legal book publishers. The biggest publisher in the genre not only accepted our book but wanted a complete manuscript within a month. I was glad that we were almost finished with the book when we shopped the proposal.

As writers who help others, we also risk rejection in our charity work. Barbara Kerr Page, who I would later work with at the Albuquerque Tribune, wrote a letter to Tony Hillerman on November 2, 1975, asking him to be a judge in the New Mexico Press Women’s annual communications contest. Five days later, Hillerman wrote the following response:

While I’m complimented by your invitation (and the flattering way you phrased it), I’m going to have to beg off this fall. Last summer (when it seemed autumn would never come) I made a whole bunch of to-do things, and I’m now facing the fact that those speeches aren’t written and the deadlines aren’t met. Therefore, I made a pledge that I wouldn’t take on anything new until I keep the old promises.

I’ve enjoyed judging for the NMPW in the past and I hope you’ll give me the opportunity in future years when I’ve better learned how to plan ahead.

Three cheers to Tony Hillerman for knowing when his plate was full and to kindly say no. This is the kind of rejection letter that we can all learn from.

Like many authors, I consider the worst kind of rejection to be silence. I would rather receive a form letter or the return of my letter with the word “NO” in big letters than silence. With silence, you are left to assume your project has been rejected or lost.

With some of Toni Morrison’s letters, she gave helpful suggestions. According to the Los Angeles Review of Book’s article mentioned earlier, in rejecting a modern Western in 1978, Morrison wrote, “It simply wasn’t interesting enough—the excitement, the ‘guts,’ just weren’t there. I am returning it to you herewith.” What a masterful way to say the book was boring.

In another rejection letter, Morrison wrote that the manuscript was “put together in a way that made it difficult to enjoy. The scenes are too short and packed too tightly. Motives were lacking.” With rejection advice like that, the author knows it’s time to return to work.

Whatever is stopping you from sharing your work for publication, do not fear rejection. You just might receive helpful advice.

Equally important, rejection letters can help prove that you are in the business of writing. From a tax perspective, even if you have little or no income, you may still be able to deduct your expenses related to your writing business. Consult your accountant on the value of rejection letters to demonstrate you sought to sell your work.

Rejection letters also call on you to have faith in your work. J.K. Rowling’s Harry Potter was rejected twelve times. Jack Canfield and Mark Victor Hansen’s first Chicken Soup for the Soul was rejected 140 times. Tony Hillerman’s first book was rejected by one New York publisher who advised him to “get rid of the Indian stuff.” At the time of his death in 2008, more than 20 million Hillerman books were in print.

Once, I received a rejection letter from an academic publisher after my book had been published. It gave me great pleasure to inform the publisher that during the year delay, my book had been published and nominated for the Pulitzer Prize in History. I did not receive a response.

[i] See There Is No Point in My Being Other Than Honest with You: On Toni Morrison’s Rejection Letters | Los Angeles Review of Books (lareviewofbooks.org)

Sherri Burr’s 27th book, Complicated Lives: Free Blacks in Virginia: 1619-1865 (Carolina Academic Press, 2019), was nominated for the Pulitzer Prize in History. West Academic published Wills & Trusts in a Nutshell 6th Ed., her 31st book, on October 31, 2022. A graduate of Mount Holyoke College, Princeton University, and the Yale Law School, Burr has been a member of SouthWest Writers for over 30 years.



Author Update 2024: Neill McKee

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Neill McKee is a retired teacher, international filmmaker and multi-media producer, and an award-winning creative nonfiction author. He published his fourth memoir, My University of the World: Adventures of an International Film & Media Maker, in 2023. Look for Neill on Facebook, Twitter, and LinkedIn, as well as on NeillMckeeAuthor.com. To learn about his first three memoirs, read his 2019, 2021, and 2022 SWW interviews.

Neill, you’ve led a storied life. Please tell readers a little about your memoir My University of the World.
My University of the World (2023) is a stand-alone sequel to two of my other memoirs, Kid on the Go! Memoir of my Childhood and Youth (2021) and Finding Myself in Borneo: Sojourns in Sabah (2019). All three books can be enjoyed in any order you read them. This latest memoir is composed of 28 short chapters and an epilogue that takes readers on an entertaining journey through the developing world from 1970 to 2012. The book is filled with compelling dialog, humorous and poignant incidents, thoughts on world development, vivid descriptions of people and places I visited and worked in, and over 200 images.

The story starts when I became a “one-man film crew,” documenting the lives of Canadian CUSO volunteers working in Asia and Africa, and covers my marriage to Elizabeth, an American I met in Japan. Her life with me and her growth as an artist, as well as our children’s lives, are also covered in this new book.

Thirteen chapters document my time as a filmmaker for Canada’s International Development Research Centre (IDRC), when I roamed the developing world and made about 30 films on many research projects in education, rural development, agriculture, post-harvest technology, fisheries and aquaculture, health care, water and sanitation—the list goes on. I wrote these stories to allow the reader to get a sense of the challenges I encountered. I kept the chapters light on technical details and full of humorous and poignant incidents. In each chapter, I also included how IDRC projects made an impact, or not.

The book also covers my time as a multimedia producer, leading teams of people in UNICEF in Bangladesh and Eastern and Southern Africa, and how my family adapted to a very different and interesting life. I ended up working for Johns Hopkins University, and then took over a project in Moscow, Russia. In my final job, I was asked to save a large project in Washington, D.C. from 2009 to 2012. By then I had learned a lot about managing people and, I must admit, sometimes I missed my years as a “lone-wolf” filmmaker at the beginning of my career.

Was it a natural transition for you to go from filmmaker to author?
During my career, I wrote three books and many articles on the role of communication in behavior and social change. But when I retired in 2013, I decided to turn to creative nonfiction writing. I submitted my first manuscript to about a dozen publishers and finally received two offers from small firms, but when I saw the contract details, I could see they were mainly interested in acquiring new titles with little or no resources for promotion. Also, despite the fact I had engaged a professional editor, they wanted to start over with that process. So, I decided to hire a professional book designer and self-publish. Either way, it was evident I was going to have to do the promotion myself. Perhaps if I was younger, I would have tried harder to seek an agent and publisher, but at my age, I didn’t think it made sense to wait. I don’t regret my decision because I have since learned that almost all authors, even if they do find a publisher, have to do or pay for most of the promotion themselves. With about 1,000 new books released every day in North America, in all genres, there is a lot of competition for readers’ attention. Fortunately for me, making money has not been a necessary objective in my new “retirement career.”

What was the most rewarding aspect of writing My University of the World?
I entered this memoir in several contests and so far have won two awards: Distinguished Favorite, Independent Press Award (2024) for Career; and Finalist, Book Excellence Awards (2024) for Autobiography. It’s rewarding to get such feedback, as well as good reviews on Amazon and Goodreads—some from people who have had no experience in international development work or film and media production. They simply enjoyed riding along with me, and some wrote that they felt they were there. Another benefit of writing this memoir was helping me sharpen my long-term memory, revising connections with old friends and former colleagues in Canada, the US, and around the world.

Do you have one place of travel that has left an indelible mark on you?
I would have to say it is Sabah, Malaysia, on Borneo Island, and the small town of Kota Belud near the coast of the South China Sea. That’s where I “found myself,” learning Malay language and teaching beautiful students, visiting their kampongs (villages), roaming around on my motorcycle, climbing Mount Kinabalu (the highest in Southeast Asia), having a few love affairs, and making my first film. It is all in my memoir Finding Myself in Borneo. That book has won three awards.

Was there anything surprising you discovered about yourself while writing your memoir?
I found that I always had a knack for creative writing but never developed it until I retired. I never kept a diary but I had a lot of stories in my head for years. I wrote up some of these at the time they happened and kept a file. I found many more in old letters to and from my fiancé/wife and family, plus official trip reports that I always tried to make entertaining, including all the funny happenings along the way. Some of my colleagues might not have appreciated such embellishments, but I didn’t care. I had the feeling I would use these someday.

What was your favorite part of putting this project together?
Besides the creative writing, it was returning to IDRC in Ottawa, Canada, to look through a library of thousands of colored slides I had taken all over the developing world, many of which I used in the book. I also searched film archives and websites and managed to locate most of my film and media projects. This also helped to bring back my experiences over the years, and I decided to create a digital library, housing all I could find on https://www.neillmckeevideos.com.

The videos play on YouTube and I get great satisfaction from messages I receive every week from young adults who were influenced in their childhoods, especially from my most successful multi-media project, the Meena Communication Initiative for girls’ empowerment in South Asia.

Do you have a favorite quote from My University of the World you could share with us?
That’s a difficult thing for a writer to answer, but I think the opening paragraph of Chapter One gets the reader into the spirit of the memoir:

As I rolled across the plains of northern India in December 1970, on a rickety old train, rumbling between station stops and passing many smaller ones, I soon got into the stride of things by listening to Santana Abraxas through the earphones plugged into my compact reel-to-reel tape recorder. From that time on, the song Black Magic Woman became forever embedded in my mind as a part of India. The time was magic for me because I was on the road, filming and photographing Canadian volunteers in Asia. It was exactly what I wanted to do with my life—an answer to my prayers, or I should say to my meditation sessions. I was more in touch with Zen Buddhism than Christianity in those days, like other North American youth—many of whom were hippies, or what we then called “flower children,” who traveled to the East in search of answers to life’s mysteries and their future paths.

Does meditation play a role in your writing ritual today?
Well, I never got deeply into Zen Buddhism, but in my late twenties, I learned how to do Transcendental Meditation (TM) for practical, rather than spiritual reasons. My younger brother Philip had taken it up and even traveled to Spain to study at Maharishi Mahesh Yogi’s TM institute. In 1968, the Beatles had visited this Maharishi in India for spiritual replenishment, and by doing so, they helped spread TM worldwide. Philip taught me the basic method and gave me my secret mantra—a sound I repeated in my head for 20 minutes, two times a day, while breathing deeply, sometimes falling asleep, which was okay according to Philip. Eventually, I learned how to do this just about anywhere, even in noisy airports. Learning TM helped me survive the busy years of my career. I still use the technique for refreshing my brain cells while writing.

Is there anything else you’d like readers to know?
I chose to print and distribute through IngramSpark.com (IS), rather than going with Amazon alone. Through IS my books are available in North America and around the world on Amazon and many other platforms. Even independent bookstores and libraries can order copies. I publish in paperback and eBook formats, and two of my memoirs, Finding Myself in Borneo and Kid on the Go! were also produced as audiobooks by Lantern Audio, which distributes them very widely on many platforms as well. I promote through a growing email list, blog and review tours, and some social media channel posts, although I don’t put a lot of effort into the latter because it is evident to me that it doesn’t help much for sales, plus I am a bit allergic to simple messages, “likes,” and “congratulations,” etc., that have little substance or follow up. I find LinkedIn the most useful. I also put a lot of blog posts, interviews, links to reviews, places to buy, and awards on my author’s website: https://www.neillmckeeauthor.com/.

Su Lierz writes dark fiction, short story fiction, and personal essays. Her short story “Twelve Days in April,” written under the pen name Laney Payne, appeared in the 2018 SouthWest Writers Sage Anthology. Su was a finalist in the 2017 and 2018 Albuquerque Museum Authors Festival Writing Contest. She lives in Corrales, New Mexico, with her husband Dennis.



SWW Wins Big in NMPW Communications Contest!

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SWW Authors Win Big in New Mexico Press Women’s Contest

Several SWW members had already reported that their entries in the 2024 NMPW Communications Contest won awards, but as of this week the entire list of winners was released and we are very proud to congratulate many of our members for their achievements!

Both of the SWW Anthologies from last year have also garnered prizes.

Of the 173 prizes awarded for the NMPW communications contest, SWW members won 51.  That’s 29%!

Also, NMPW recognized several individuals whose collective works have pushed social or literary boundaries, naming them Courageous Communicators.  The SWW members so recognized include:  Loretta Hall, Sherri Burr, Regina Griego, Leonie Rosenstiel, and Rose Marie Kern. 

The following is a list of the SWW members and their awards.   

SouthWest Writers as a group won two awards:

  • Woven Pathways won 3rd place for a Collection of Short Stories written by Multiple Authors
  • Holes in Our Hearts  won 2nd place for a Collection of Short Stories written by Multiple Authors

SWW Member Elizabeth Rose was runner up for the prestigious 2025 Zia Book Award with her non-fiction tale When Cows Wore Shoes.

Additionally, Elizabeth won two Honorable Mentions:  One in the Collection of Short Stories category for ” The Long, The Short and the Tall/Tales of a New American, and another in the Single poem category for “Listening for Your Return.  Congratulations Elizabeth!

Many of the authors in both SWW anthologies, and some independent SWW members,  entered and won for individual pieces.

  • Kathleen Hessler won 1st place in the Specialty articles: Personal Essay category for “Precious Penny”.
  • Linda Buss won 2nd Place in Fiction for “Cradle in the Wild”.
  • Allen Herring won 3rd Place in the Single Story category for “Wallflowers”.
  • Gency Brown took 1st place in the Fiction Novel for Adult Readers category for her debut novel A “Right Fine Life”
  • Joe Cappello was awarded Honorable Mention in the Single Story category for “They Only Showed Elvis from the Waist Up.”
  • William Fisher won 2nd Place in the Novels category for “The Price of the Sky”.
  • Anna Sochocky received two awards: A 2nd place in the Magazine Article category for “Trauma to Trust” and and Honorable Mention in the Agriculture article category for “Suffering from Sand Colic”
  • Vicki Mayhew won 1st Place in Fiction for “How the Unicorn Said Goodbye”
  • Mike Hays won 2nd place in the Essay, Chapter or Section in a Book category for “So Many Wars”
  • Margaret Shannon won Honorable Mention in the Biography/History category for “Abbey-Ashman: Two Colonial and Pioneering Families of North America Volume 2: The Alden Ancestors”
  • Elizabeth Hardin-Burrola won two 1st Place awards.  The first was in the Online Publication Category for “New Archive of Santa Fe Clery Abuse Documents Hailed as Unprecedented”  and a 1st place in the Religion category for “Navajo Catholics Upset after Franciscans Transfer Historic Mission to Local Diocese.
  • Elaine Montague won 1st Place for “Musings of a Locked-Out Wife” in the Blog Category for her experiences during Covid when she was not allowed to visit her husband in an assisted living facility, even when he became mortally ill.  She also won Honorable Mentions in the Single Poem category for “Marionettes” and the Arts and Entertainment Category for “Let’s Network!”
  • Kathy Louise Schuit, the  SAGE Newsletter editor, won a second place with NMPW, in the category of Print or Online Publications regularly edited by Entrant, Newsletter/other Publication, Nonprofit, Government, or Educational. Kathy also won a Third place in the category of  Books, Short Stories, Verse, Essay, Chapter or Section in a Book, for her story,  “Weightless,” which was published in the Woven Pathways anthology.
  • Jasmine Tritten won 2nd place for her specialty article on physical health entitled “When Life Turns” [included in Holes in Our Hearts]  and Honorable Mention for her personal essay “Trickles in Paris”.
  • Paula Nixon won 3rd place in the Editorial/Opinion category for “To Honor Veterans Listen to Their Stories”.

  • Jim Tritten, Joe Badal, and Dan Wetmore won 1st place in the book editing category for Holes in Our Hearts.
  • Sara Frances won a 1st place in the Book Design category for “Unplugged Voices”.
  • Rosa Armijo-Pemble received an Honorable Mention in the Short Stories category for “Just Care: A Lesson in Possibilities.”
  • Leonie Rosenstiel won several awards. Third Place for her series of articles on AI (published in The Sage during 2023), Honorable Mention for her chapter “Military Patterns” in Holes in Our Hearts, Honorable Mention for her  interview on the podcast Bump in the Road, entitled “The Reality of Guardianship.”  Additionally, Leonie received the special Courageous Communicator award for her fiction and nonfiction.
  • Jim Tritten won several awards including: 1st place: “Papal Blessings” [Specialty Articles, Travel], 2nd place for “Living with an Alien” [Specialty Articles, Personal essay], 3rd place for “Holes in Our Hearts Goes Statewide” [1C News Story, Online publication], “Elusive Answers” [Specialty Articles, History], and a 3rd place Sweepstakes Award, Individual, 3rd place.
  • Pat Walkow won two awards: A 1st Place for her Memoir “Life Lessons from the Color Yellow” and and Honorable Mention in the Novels category for “Alchemy’s Reach”.
  • Sherri Burr won several awards including: 1st place:  Speech  “The Underground Railroad: A Journey from Slavery to Freedom”,  1st Place The Writing Life: Diana Gabadon, 1st Place –  Humorous “The Writing Life: Grace” 1st Place – General “The Writing Life: Spare”   2nd Place – Editorial/Opinion “Problematic Baldwin Case Could Have Been Even Worse Worse at Trial”, 2nd Place Informational (how-to, Q&A, advice) “The Writing Life: Shifting Priorities”, Honorable Mention-Essay, Chapter, or Section in a Book “My Brothers Guardian” in Holes in Our Heart, Honorable Mention – Personal opinion “The Writing Life: The Yellowstone Universe”
  • Regina Griego won three awards:  1st place in Podcast for “Regina Griego-Transcending Futures”,  1st Place in Interview of more than 750 words for “An Interview with Author Regina Griego” and 2nd Place for an articles of 750 words or fewer “Writing for Healing and Social Change”.
  • Congratulations Everyone!


An Interview with Author Mary Lou Dobbs

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Mary Lou Dobbs is an author, speaker, and lifestyle coach who seeks to inspire others to excel and thrive as they age. Her third nonfiction release, Badass Old White Woman: How to Flip the Script on Aging (January 2024), has been called “a rally cry for all of us who refuse to let age limit our dreams and aspirations.” Look for Mary on her website at MaryLouDobbs.net, on Facebook and Instagram, and on her Amazon author page.

What do you hope readers will take away from Badass Old White Woman?
I hope readers will be inspired to challenge societal norms about aging and embrace their own unique paths to personal fulfillment. My book encourages readers to break free from limiting beliefs — these are any beliefs that carry emotional weight and cause misalignment. I write about how women can embrace adventure and live authentically, regardless of age or background.

What unique challenges did this work pose for you?
One unique challenge in writing Badass Old White Woman was balancing personal anecdotes with universal themes that resonate with a diverse audience. Additionally, addressing sensitive topics related to aging and societal expectations required a delicate approach to ensure authenticity and relatability. I also had to make a mental shift from hurt feelings to humor after being called “an old White Woman.” This inspired me to sit down and write. Women are tired of the underwhelming expectations and negative stereotypes that threaten our value and inner wisdom.

What was the most rewarding aspect of writing the book?
The most rewarding aspect of writing the book has been hearing from readers who found inspiration and empowerment in the stories and advice shared in the book. Knowing that the book has made a positive impact on others’ lives makes the writing process incredibly fulfilling. I didn’t wake up and decide to become a superhero to women, but it appears I have.

What makes your newest release unique in the self-help market?
Badass Old White Woman stands out in the self-help and inspirational market for its candid and unconventional alternative life-changing therapies to topics related to aging, personal growth, and inner resilience. The book blends humor, personal anecdotes, and practical advice to create a relatable and empowering guide for women of all ages.

What are you most happy with, and what do you struggle with most, in your writing? And, especially regarding this book?
I’m most happy with the authenticity and relatability of women’s stories shared in the book. However, I sometimes struggle with finding the right balance between storytelling and delivering nontraditional healing modalities like Thought Field Therapy (TFT) and The Emotion Code to a wide-reading audience. Sharing emotions are the key to robustness in connecting with yourself and others. I give actionable advice in my writing, especially when addressing complex topics like aging and personal transformation.

You’ve written two other books in this genre: Repotting Yourself: Financial – Emotional – Spiritual Flow and The Cinderella Salesman: An Inspiring Success Story for Every Woman Who Seeks a Fascinating Career, endorsed by Og Mandino. How would you compare Badass Old White Woman to the previous books?
While Repotting Yourself and The Cinderella Salesman focus on specific aspects of personal growth and career development, Badass Old White Woman takes a more holistic approach to empowerment and resilience. It addresses broader themes related to aging, self-discovery, and embracing life’s challenges with courage and humor.

When you tackle a nonfiction project, do you think of it as storytelling? This book certainly seems to be telling a story of challenge and triumph.
Absolutely, storytelling is a central aspect of my approach to nonfiction writing. In Badass Old White Woman, I use storytelling to convey universal truths and inspire readers to embrace their own journeys of challenge and triumph. By sharing personal anecdotes and experiences, I aim to create a narrative that resonates with readers on a deeper level. I believe only after gaining an emotional vibrational balance will readers thrive in later years,

What was the expected, or unexpected, result of writing Badass Old White Woman?
I have emerged as a guiding voice, encouraging women to embark on an unapologetic, life-changing journey filled with renewed purpose and exhilarating adventures.

What is the best compliment you’ve received as an author?
One reader said, “Your book ignited a profound transformation within me, propelling me beyond the confines of my fears and the stagnant patterns that once confined me to society’s rigid and uninspiring perception of myself.”

Badass Old White Woman was just released in January 2024. Do you already have another writing project in mind — or are you working on one now?
Engaging in the marketing process demands a significant investment of my time. From securing speaking engagements to crafting articles that enhance visibility, and actively networking, these efforts collectively form the secret sauce for effectively selling books.

Is there anything else you’d like readers to know?
In my book, I include the following quote: “When we rise above our emotional triggers, we possess the capability to neutralize them with precision, akin to a heat-seeking missile. Through this process, we access an invisible highway to our inner selves, where a cellular memory of full engagement and vibrant aliveness resides.” ~ Mary Lou Dobbs, Thought Field Therapy Lifestyle Coach.

D.E. Williams is the author of the award-winning Chesan Legacy Series: Child of Chaos and Chaos Unleashed. She lives in Albuquerque, New Mexico. To find out more about Dollie and her writing, visit her website at DollieWilliams.com.



Author Update: Cassie Sanchez

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Cassie Sanchez is the author of the award-winning The Darkness Trilogy, a fantasy blend of action, adventure, and romance. Conquering the Darkness (December 2023) is the final book in the series that wraps up Jasce’s journey of redemption and transformation to a satisfying conclusion. You’ll find Cassie on her website at CassieSanchez.com, on Facebook and Instagram, and on her Amazon author page. For more about The Darkness Trilogy, read her 2022 SWW interview.

In your 2022 interview for SouthWest Writers, you describe the story you tell in The Darkness Trilogy as a man’s journey of self: his purpose, his worth, and his values. When readers turn the last page of Conquering the Darkness, what do you hope they take away from the book?
We all have demons to battle, but hopefully we don’t have to fight those battles alone. Jasce, the stubborn man that he was, finally realized his worth and conquered those demons with the help of those who loved him.

What were your greatest challenges in writing the series, as well as bringing the trilogy to a close?
With each book expectations were raised, which increased the pressure to deliver an engaging and complete story, especially with the final book in the trilogy. I needed to make sure Jasce’s story had a satisfying ending. Also, my world grew with each book, so the new world building was a challenge. Plus, I didn’t really know where this story was going (originally it was going to be a duology), so I had a lot to figure out as I wrote books two and three.

What is it about Azrael, your main protagonist, that makes readers connect with him? Also, introduce us to a few of your favorite secondary characters, and tell us if  you share traits with any of your characters.
Azrael/Jasce Farone is a character who battles his demons, which don’t we all, but he does it with the help of his friends. One of them being Kord Haring, who is a Healer and a man who never gave up on Jasce. Another fan favorite character is Prince Nicolaus Jazari, who provided the comic relief while also helping Jasce with his mission to save Pandaren. I definitely relate to Jasce but also Kenz Haring, the love interest in the trilogy. I seem to have put a few of my characteristics in her, namely sarcasm and her love for family.

Give us some details about how the book came together.
Conquering the Darkness took a little over a year from writing the first draft to self-publishing, including receiving feedback from my Beta readers and ARC readers, plus a developmental edit and a copy/line edit from my editor. I also had a proofreader give it one more look before I launched Conquering. I can’t tell you how many times I read this book, but it was to the point that even I was sick of my characters.

In your fantasy land of Pandaren, which setting would you love to visit and which would you love to send your worst enemy to?
I’d love to visit the kingdom city of Orilyon, which is on the coast. I’ve always loved the ocean, so it would be a magical place to visit. I’d send my worst enemy south to Balten (a kingdom outside of Pandaren) because it has an arctic climate, and the people are a warrior race. That just sounds intimidating to me.

What was the process like working with both a cover designer and a cartographer? Do you have lessons you learned that you could share with other authors?
My cover designer thankfully did all three covers in the series so they would match. Karen with Arcane Covers is amazing to work with and very patient. A professional cover that correctly represents your genre is so important, and authors need to make sure they find someone within their budget, easy to work with, and reliable. As for a cartographer, the map of Balten in Conquering the Darkness was created by yours truly using Canva.

Is there a scene in your book that you’d like to see play out in a movie?
I’d like the whole trilogy to make it to the big screen or streaming service. That’s my dream, to see these characters come to life. If I had to pick just one scene, then it would be the battle in the cave against a new creature I invented. That scene is tense and a little scary, plus you get to see everyone’s magic.

Of the three novels in The Darkness Trilogy, which one was the most challenging and which one was the most enjoyable to write?
Each book was challenging for different reasons, but the first book, Chasing the Darkness, was the most fun to write as there were no expectations. I loved getting lost in a new world and meeting new characters. Conquering the Darkness was probably the most challenging because I had to make sure I wrapped up everything in a beautiful, tidy bow.

What is the best compliment you’ve received as an author?
Recently at the Albuquerque Comic Con, I had someone tell me I was the reason they came to the event. That made my day. Anytime a reader tells me they couldn’t put my book down and which characters they loved always gives me such joy.

What writing projects are you working on now?
I’m working on a spin-off story featuring a fan favorite character, Prince Nicolaus Jazari. Currently, this is a single novel and not part of the series. Or at least that’s the plan. Readers will get to travel to Alturia where the Shade Walkers dwell along with water dragons.

Is there anything else you’d like readers to know?
Please stop by my website to learn more about my books and me, including all the events I’m attending this year. And if you sign up for my newsletter, you’ll get two short stories and a downloadable map of Pandaren.

KLWagoner150_2KL Wagoner (writing as Cate Macabe) is the author of This New Mountain: a memoir of AJ Jackson, private investigator, repossessor, and grandmother. Kat has a speculative fiction blog at klwagoner.com and writes about memoir at ThisNewMountain.com.



The Writing Life: Consuming Thrillers

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by Sherri L. Burr

I love thrillers. I love reading them and watching them on big and small screens. Webster’s Dictionary defines a thriller as “a work of fiction or drama designed to hold the interest by the use of a high degree of intrigue, adventure or suspense.” The Amazon Prime series Reacher fits the description. I watched each episode with the same rapt attention I had previously given to reading the Lee Child books.

Season One was based on the first book in the series, Killing Floor. Season Two was based on the twelfth, Bad Luck and Trouble. I often finish a Jack Reacher novel in less than three days, sometimes in one. They compel me to keep turning pages until every word has been read. After watching the two Reacher movies with Tom Cruise, a slender approximately 5’8” brunette, cast in a role of a 6’5” herculean blonde, I was reluctant to review the streaming series. This was even after hearing Lee Child said in interview with George RR Martin in 2018 at Santa Fe’s Jean Couteau Cinema that he had inked a deal to bring Jack Reacher to life with a different actor. But then a classmate, who knew I liked the Reacher books, sent an email suggesting I watch.

Actor Alan Ritchson looks like he stepped off the pages of the novels. The handsomely muscular Ritchson does not disappoint as the nomadic former Army officer with a penchant for bringing vigilante justice to lawbreakers.

In Season Two, Jack Reacher reconnected with his old army buddies to track down who is killing off members of their former squad. The minute an episode was available, I watched. Each of the eight episodes was equally entertaining.

I did not feel the same way about another Amazon Prime show, Citadel, which popped up as recommended after I finished Reacher. Fittingly, Citadel opened with a train wreck because the storyline was a train wreck. The series jumped frequently between timelines and time zones with little to distinguish between them other than a date. The actors looked the same and the settings were often the same. By contrast, Reacher used a different setting and color palate to indicate flashback scenes. Also, Reacher only showed flashbacks to advance the present story whereas Citadel whiplashed all over the place with limited connection between the scenes. The ending to Citadel was equally messy when it revealed (spoiler alert) the hero was the villain that caused the disaster. Yikes!

Curious, I looked up whether there would be a Season Two of Citadel. Even though Season One was considered a bust with audiences (apparently, my opinion was universally shared), Amazon renewed Citadel because it had invested $250 million in the first season. Apparently, the decision-makers never heard of “sunk cost,” the economic theory that suggests cutting losses when the original investment has failed. By contrast, Reacher, which cost much less to produce, became Amazon Prime’s biggest streaming hit ever.

Another book thriller recently caught my eye. Author David Baldacci released The Edge as a follow-up to The 6:20 Man. The second book in the series based on ex-Army Ranger Travis Devine was as engaging as the first. I listened to the audio version before deciding to purchase the book. Within 36 hours, I had finished all 403 pages. Baldacci’s character Travis Devine shares a professional pedigree with Jack Reacher. They are both West Point graduates who became officers in the Army and seek justice.

Consuming thrillers can be helpful to the writing life. By transporting us into other worlds, thrillers give us a break from current projects. With thrillers, we vicariously adventure to places and with types of people who would never otherwise cross our paths. Thrillers remind us to make our work compelling. We want our readers to consume every word.

Thrillers also prompt us to determine what is commercial. One author friend told me she won’t start writing a book unless she knows her publisher plans to purchase it because she doesn’t want to psychologically invest in creating characters she may need to abandon. Lee Child, and now his brother Andrew Child, create the Reacher books knowing there’s an awaiting audience.

Avoid the Amazon Prime-type decisions to renew a global train wreck like Citadel just because of the initial investment of time and money. Strive, instead, to create work as compelling as a thriller with intrigue, adventure, and suspense that captivates your audience from beginning to end.

Sherri Burr’s 27th book, Complicated Lives: Free Blacks in Virginia: 1619-1865 (Carolina Academic Press, 2019), was nominated for the Pulitzer Prize in History. West Academic published Burr’s Sum and Substance Audio on International Law, 4th Edition, her 32nd book, on October 30, 2023. A graduate of Mount Holyoke College, Princeton University, and the Yale Law School, Burr has been a member of SouthWest Writers for over 30 years.



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